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Robert Crumb. Sketchbook Vol. 3. 1975-1982

Hardback

Main Details

Title Robert Crumb. Sketchbook Vol. 3. 1975-1982
Authors and Contributors      Edited by Dian Hanson
By (artist) Robert Crumb
Physical Properties
Format:Hardback
Pages:444
Dimensions(mm): Height 270,Width 205
Category/GenreArt and design styles - from c 1960 to now
Individual artists and art monographs
Comic book and cartoon art
ISBN/Barcode 9783836566957
ClassificationsDewey:741.5973
Audience
General

Publishing Details

Publisher Taschen GmbH
Imprint Taschen GmbH
Publication Date 22 January 2018
Publication Country Germany

Description

Until May 2017, Robert Crumb was simply lauded as the greatest underground artist. Then his cover drawing for the 1969 comic Fritz the Cat sold for a record $ 717,000, the highest price ever realized for any comic, and concepts of under- and aboveground went out the window. Now everything Crumb is fast increasing in value; the perfect time for R. Crumb Sketchbook, Volume 3: Jan. 1975-Dec. 1982. Combining volumes 5 and 6 from the second R. Crumb Sketchbook boxed set, and produced directly from the original artworks now belonging to an ardent French collector, this is one big 444-page Crumb feast for way less than his rare originals. Among the hundreds of subjects included are Crumb's move to rural California, his marriage to Aline Kominsky, the birth of daughter Sophie, as well as further adventures of Mr. Natural, mischievous Snoids, Arcade comics strips, political discontent, existential angst, huge powerful women, geeky little guys, Mao Tse Tung, Mick Jagger and moral outrage, all wrapped up in a quality hard cover featuring front and back illustrations newly hand-colored by Crumb himself.

Author Biography

Dian Hanson produced a variety of men's magazines from 1976 to 2001, including Juggs, Outlaw Biker, and Leg Show, before becoming TASCHEN's Sexy Book Editor. Her titles include the "body part" series, The Art of Pin-up, Masterpieces of Fantasy Art, and Ren Hang.

Reviews

There's something irreconcilable at the heart of this work... It's about seduction and repulsion. You are drawn into it, and you are judging yourself as you look at it. * Lucas Zwirner *