Masculinities: Liberation through Photography

Description

Examining increasingly fluid notions of masculinity over the past six decades, this book offers a culturally diverse collection of work from some of the world's most celebrated photographers. This photographic exploration draws together the work of approximately fifty artists of different ethnicities, generations, and gender identities to look at how ideas of masculinity have evolved since the 1960s. Each of its six themed chapters features bold and arresting work by artists such as Richard Avedon, John Coplans, Robert Mapplethorpe, Herb Ritts, Collier Schorr, Larry Sultan, Wolfgang Tillmans, and David Wojnarowicz, who are all renowned for their depictions of masculinity and its tropes. Others, including Rotimi Fani-Kayode, Masahisa Fukase, Adi Nes, Hank Willis Thomas, and Akram Zaatari, offer ethnically and culturally diverse perspectives. A number of female photographers - Laurie Anderson, Heather Cassils, Marianne Wex - explore the influence of the female gaze and younger artists like Andrew Moisey, Mahtab Hussain, Omar Viktor Diop, and Sam Contis offer a 21st-century perspective of maleness through the lens of immigration and global politics. Each chapter in the book opens with an essay by a key thinker in the worlds of art, history, culture, and queer studies. Spanning decades and continents, this exploration shows how increasingly difficult it is to define masculinity. AUTHOR: Alona Pardo is Curator at Barbican Art Gallery. She has contributed widely to art magazines and books, including Dorothea Lange: Politics of Seeing, Another Kind of Life: Photography on the Margins, Strange and Familiar, Constructing Worlds, and Modern Forms: A Subjective Atlas of 20th-Century Architecture (all by Prestel). 250 colour illustrations

ALONA PARDO is Curator at Barbican Art Gallery. She has contributed widely to art magazines and books, including 'Dorothea Lange: Politics of Seeing', 'Another Kind of Life: Photography on the Margins', 'Strange and Familiar, Constructing Worlds', and 'Modern Forms: A Subjective Atlas of 20th-Century Architecture' (all by Prestel).