Agnes Pelton: Desert Transcendentalist

Description

Agnes Pelton: Desert Transcendentalist will be the first survey of this under recognized American painter in over 22 years. Her distinctive paintings could be described as metaphysical landscapes rooted in the California desert near Cathedral City. Pelton chiefly drew on her own inspirations, superstitions and beliefs to exemplify emotional states. The publication seeks to clarify the artist's significance and role within the cannon of American Modernism but also against the legacy of European abstraction. It contextualizes her work against her contemporaries, Marsden Hartley and Georgia O'Keeffe, and their distinct versions of American spiritual modernism. Pelton's highly symbolic paintings were inspired by religious sources ranging from Theosophy and Agni Yoga to the spiritual teachings of Dane Rudhyar and Will Levington Comfort. Over three decades she devoted herself to painting spiritual abstractions, which conveyed her "light message to the world." The exhibition Agnes Pelton: Desert Transcendentalist at Palm Springs Art Museum opens on 6th September 2021: www.psmuseum.org/art/exhibitions/agnes-pelton-desert

Gilbert Vicario is the Selig Family Chief Curator at the Phoenix Art Museum. His past books include Ragnar Kjartansson: Scandinavian Pain and Other Myths and Hot Mess Formalism.

"The book is a welcome, deferential consideration of Pelton's work. At last, artists like her, who come from outside the mainstream traditions of 20th century art, are getting the art history they deserve. Highly recommended."-- "Mutual Art" "The exhibition catalogue Agnes Pelton: Desert Transcendentalist offers an in-depth look at an artist whose work does not easily resolve into familiar categories of abstract art because of its deeply spiritual purpose. This book brings together a range of scholarly perspectives on aspects of Agnes Pelton's (1881-1961) abstractions, delving into her biography, and carving out a place for her in the history of American modernism without downplaying her engagement with esoteric religions and devotional painting practices." -- "Woman's Art Journal"