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Henry Moore: A European Impulse

Hardback

Main Details

Title Henry Moore: A European Impulse
Authors and Contributors      By (author) Hermann Arnhold
By (author) Tanja Pirsig-Marshall
By (author) Markus Muller
By (author) Chris Stephens
By (author) Christa Lichtenstern
Physical Properties
Format:Hardback
Pages:260
Dimensions(mm): Height 300,Width 238
Category/GenreArt and design styles - from c 1900 to now
Sculpture
Individual artists and art monographs
ISBN/Barcode 9783777426822
ClassificationsDewey:730.92
Audience
General
Illustrations Illustrated in colour and black and white throughout

Publishing Details

Publisher Hirmer Verlag
Imprint Hirmer Verlag
Publication Date 12 January 2017
Publication Country Germany

Description

Henry Moore has influenced the history of twentieth - century sculpture more decisively than anyone else. He was one of the first contemporary sculptors to realise his ideas in the public space throughout the world. His oeuvre was a lasting source of inspiration for an entire generation of artists - from Hans Arp, Alberto Giacometti and Pablo Picasso to the younger generation of German sculptors. Henry Moore (1898 - 1 986), known as the "Picasso of Sculpture", is regarded as one of the most important sculptors of the twentieth century and the epitome of the modern artist. Typical of his work is the interrelationship between nature and abstraction. He discovered the "voi ds", so - called openings and holes which heighten the sculptural, three - dimensional effect of his works. With this new approach Moore exercised a strong influence on younger sculptors, who gained decisive impulses from his sculptures. This volume presents M oore as the dominant personality of modern sculpture in collaboration with the members of the younger generation of artists.

Author Biography

Chris Stephens is Curator, Holburne Museum, Bath.

Reviews

"Though there has been no dearth of Moore exhibitions in the last two decades, this one, as embodied in this catalogue, distinguished itself by historicizing the presence of the British artist's work in postwar Germany and considering it alongside contemporaneous sculpture and drawings by mostly German artists. . . . The visual interplay of the works illustrated, together with the remarks about them, makes a powerful argument for the prevalence of organic abstraction, primitivism, and the vestigial remains of the figurative tradition in modern European sculpture. . . . Highly recommended."-- "Choice"