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Art et Liberte: Rupture, War and Surrealism in Egypt (1938 - 1948)

Paperback / softback

Main Details

Title Art et Liberte: Rupture, War and Surrealism in Egypt (1938 - 1948)
Authors and Contributors      Edited by Till Fellrath
By (author) Sam Bardaouil
Physical Properties
Format:Paperback / softback
Pages:224
Dimensions(mm): Height 280,Width 240
Category/GenreArt and design styles - Surrealism and Dada
ISBN/Barcode 9782370740311
ClassificationsDewey:709.6209043
Audience
General
Illustrations Illustrated in colour and black and white throughout

Publishing Details

Publisher Editions Skira Paris
Imprint Editions Skira Paris
Publication Date 10 November 2016
Publication Country France

Description

This publication accompanies the first exhibition dedicated to the manifestation of the Surrealist movement in Egypt. With images of over 200 works, it offers the reader a first-hand look at this artistic world. Through various visual (painting, drawing, photography) and literary media, this catalogue provides visitors with an indispensable companion for understanding the effervescent artistic context of 1930s-40s Egypt. More than example of aesthetic research, the creation of the movement was stimulated by a real revolutionary impetus. It stood against the opinions and conventions of the time. Works from the most important artists are represented, including visual artists Abdel Hadi El Gazzar, Kamel El Telmissany, Fouad Kamel, Ida Kar, Amy Nimr, and Ramses Younan, as well as poets and writers Albert Cossery,Georges Henein, and Edmond Jabes.

Author Biography

Sam Bardaouil and Till Fellrath are co-founders of "Art Reoriented"(a multidisciplinary curatorial platform based in Munich and New York). They have contributed to numerous publications such as The Journal of Surrealist Studies, Dada/Surrealism, Flashart, Frieze Magazine. Dr. James Gifford is Associate Professor of English in the School of the Humanities and Director of the University Core at Fairleigh Dickinson University, Vancouver. He has worked extensively on the international proliferation of English Surrealism.