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The Improv: An Oral History of the Comedy Club that Revolutionized Stand-Up

Hardback

Main Details

Title The Improv: An Oral History of the Comedy Club that Revolutionized Stand-Up
Authors and Contributors      By (author) Budd Friedman
By (author) Tripp Whetsell
Foreword by Jay Leno
Physical Properties
Format:Hardback
Pages:400
Dimensions(mm): Height 236,Width 159
Category/GenreIndividual actors and performers
Other performing arts
World history
ISBN/Barcode 9781942952435
ClassificationsDewey:792.76097471
Audience
General

Publishing Details

Publisher BenBella Books
Imprint BenBella Books
Publication Date 19 September 2017
Publication Country United States

Description

Have you heard the one about the aspiring Broadway producer who bought a closed restaurant and changed the course of American comedy? It's no joke-his name is Budd Friedman, and his legendary club helped shape the stand-up comedy that is still a staple of entertainment today. From the microphone to the iconic brick wall, the Improv has been the launching pad of the nation's most talented comedians. By providing a stage for them to riff on everything from race and religion to politics and sex, the Improv not only generated legions of comedy fans, it reinvented the art form by overturning the comedy traditions of the Borscht Belt. Budd Friedman's legendary comedy club wasn't the first to feature comedians, but it was the first of its kind to present comedians in a continuous format, and the first one to give unknown performers the opportunity to try out new material in front of a live audience-with the opportunity to be discovered by talent agents and late-night TV bookers. The Improv is an oral history of the most important comedy club in America, emceed by Budd Friedman himself, and featuring in-depth interviews with some of the most important names in comedy -including Jay Leno, Michael Keaton, Bill Maher, Larry David, Larry Miller, Jeff Garland, Jerry Stiller, Kevin Nealon, Gilbert Gottfried, Joe Piscopo, Tim Reid, Will Shriner, Roseanne Barr, Judd Apatow, Robert Klein, Richard Lewis, Leslie Moonves, Howie Mandel, Bill Engvall, Lily Tomlin, Rick Newman, Norman Lear, Billy Crystal, Alan Zweibel, Dick Cavett, Fred Willard, Jimmie Walker, David Steinberg, and many more! The Improv gives readers an exclusive, insider look at what really happened on stage and off-mike. From the revelry and the rivalry to the smash hits, near misses, love affairs, show biz politics, chemical experimentation, exhilarating rises, tragic downfalls and just plain fun, The Improv features true insiders' accounts of a unique institution in America's cultural history and the man who unofficially provided the laugh track for an entire nation.

Author Biography

Budd Friedman, the man who could well be called the father of the modern comedy club, was born in Norwich, Connecticut, moved to New York, fought in Korea and returned to Manhattan, where he obtained a degree in Advertising and Marketing from New York University. Less than enthralled with advertising, he hit upon the idea that was to become the Improvisation. The rest, as they say, is history. Ever the entrepreneur, Budd produced a political/satirical theatrical revue in New York entitled What's a Nice Country Like You Doing in a State Like This? He became Jay Leno and Bette Midler's first manager, and in 1975 he opened a West Coast branch of the Improv on Melrose Avenue in Los Angeles. Budd auditioned for and won the coveted role of "Budd Friedman" in Man on the Moon, the biopic about Andy Kaufman starring Jim Carrey and Danny DeVito. In 2002, he hosted and executive produced a one-hour primetime special for NBC celebrating the 40th anniversary of the Improv. He also co-created and executive produced National Lampoon's Funny Money for the Game Show Network. More recently, he reprised his role of "Budd Friedman" in Judd Aptow's Funny People. He continues to bring stand-up into the hearts and minds of everyone in the United States. As of 2015, there were 22 Improv comedy clubs in 12 states. Tripp Whetsell is a New York-based author, entertainment journalist and critic specializing in comedy, television, film, music and pop culture history. His work has appeared both in print and online for such publications as VanityFair.com, TV Guide, The Wall Street Journal, New York Post, The New York Times, New York Magazine, New York Daily News, Closer Weekly, The Los Angeles Times and The Hollywood Reporter. This is his third book.

Reviews

"The Improv was a cauldron of talent. Whetsell writes about it wonderfully and with respect for its importance to comedy." -Robert Klein "They used to say that if you made it New York you could make it anywhere. Maybe so, but if you didn't make it at the Improv, it was time to pack your bags and move to 'anywhere.'" -Richard Lewis "This book is a great walk down memory lane for me. All hail the Improv and all the laugh-filled times and wonderful nights that happened in front of those brick walls." -Bill Maher "The Improv played a vital part in my early stand-up days as it did in the careers of the dazzling array of stars, eccentrics, and colorful characters whose stories adorn this bright and greatly entertaining book. Get at least two copies, in case you lose one." -Dick Cavett "Here's a book I'll probably never finish, because for years to come I'll be picking it up again and again and rereading parts over and over, whenever I need perking up. It's the history of an art form, though that sounds way too stuffy, and of an institution-the great American comedy club, especially the Improvs of New York and LA." -Tom Shales, Pulitzer Prize-winning former television critic for The Washington Post and #1 bestselling coauthor of Live from New York and These Guys Have All the Fun "An entertaining ride through the glory years-the people, the stories, the feuds, the laughs-of the club that started the stand-up comedy boom in America." -Richard Zoglin, author of Hope: Entertainer of the Century and Comedy at the Edge: How Comedy in the 1970s Changed America "The Godfather of the comedy club is finally called to testify . . . and he sings like a canary." -Bill Knoedelsder, author of I'm Dying Up Here: Heartbreak and High-Times in Stand-Up Comedy's Golden Era