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Idols of the Market - Modern Iconoclasm and the Fundamentalist Spectacle

Paperback / softback

Main Details

Title Idols of the Market - Modern Iconoclasm and the Fundamentalist Spectacle
Authors and Contributors      By (author) Sven Lutticken
Physical Properties
Format:Paperback / softback
Pages:248
Dimensions(mm): Height 216,Width 140
Category/GenreTheory of art
ISBN/Barcode 9781933128269
ClassificationsDewey:701
Audience
General

Publishing Details

Publisher Sternberg Press
Imprint Sternberg Press
Publication Date 9 July 2020
Publication Country United States

Description

Idols of the Market: Modern Iconoclasm and the Fundamentalist Spectacle reexamines the legacies of modern theoretical and artistic iconoclasm in the context of the current religious-political image wars. In a letter written shortly after Adorno's death, in which he attempted to explain why his friend had not been buried according to Jewish rites, Max Horkheimer claimed that critical theory was based on the Second Commandment - the ban on representations of God or, in more fundamentalist interpretations, of representations of all living beings. In the 18th and 19th centuries, the monotheistic concept of idolatry had been gradually replaced by modern conceptions of myth and mythology; later it was integrated in critical conceptions of commodity fetishism, ideology, the spectacle, or Adorno and Horkheimer's culture industry. This secularization of the concept of idolatry is now increasingly being revoked; the critique of the spectacle is seemingly resacralized by various religious factions. The fundamentalists' apparent fetishization of their religion's aboriginal essence is rather questionable; their fight of the idolatrous spectacle takes place within this spectacle and fortifies it - all the while reducing the space for critique and dissent. This book examines both the afterlife of religious elements in modern culture and possible responses to the current religious reappropriation of this critique of modern capitalist culture by both Christian fundamentalists and radical Islamists. Rather than dismissing monotheistic idolatry critique, the aim is to once more set free its (self-) critical potential, in opposition to those "Enlightenment fundamentalists" who save the status quo by creating a manicheist opposition between the secular West and the pure otherness of Islam.

Author Biography

Sven Lutticken, an art historian and critic, teaches at Vrije Universiteit, Amsterdam. He is the author of Cultural Revolution: Aesthetic Practice after Autonomy (Sternberg Press) and other books.