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Katherine Mansfield: Selected Stories
Paperback / softback
Main Details
Title |
Katherine Mansfield: Selected Stories
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Authors and Contributors |
By (author) Katherine Mansfield
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Physical Properties |
Format:Paperback / softback | Pages:416 | Dimensions(mm): Height 198,Width 128 |
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Category/Genre | Classic fiction (pre c 1945) Short stories |
ISBN/Barcode |
9781922079503
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Classifications | Dewey:823.912 |
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Audience | |
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Publishing Details |
Publisher |
Text Publishing
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Imprint |
Text Classics
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Publication Date |
24 October 2012 |
Publication Country |
Australia
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Description
Here in one volume are twenty-three of the finest stories by Katherine Mansfield. Considered one of the finest short-story writers of the twentieth century, Mansfield was from a young age heavily influenced by Anton Chekhov, a master of the form. This new selection, with an introduction by the novelist Emily Perkins, ranges across Mansfield's oeuvre and shows the New Zealander's dazzling brilliance - from 'A Dill Pickle' and 'The Escape' to 'The Garden-Party' and 'The Fly'.
Author Biography
Katherine Mansfield, short-story writer and poet, was born Kathleen Mansfield Beauchamp in 1888 in Wellington. At 19, she left for the UK and became a significant Modernist writer, mixing with fellow writers such as Virginia Woolf, TS Eliot and DH Lawrence. She wrote five collections of short stories, the final one being published posthumously by her husband, the writer and critic John Middleton Murry, along with a volume of her poems and another of her critical writings, and subsequently there have been collections of her letters and journals. She died of tuberculosis at the age of 34 at Fontainebleau. Although New Zealand settings do feature in her works, she looked to European movements in writing and the arts for inspiration, and also wrote stories with a European setting. Virginia Woolf famously admitted that Mansfield was the only writer she was jealous of, and it is believed that conversations with Mansfield prompted Woolf to write Mrs Dalloway. Many writers in the 1930s, such as Christopher Isherwood and Aldous Huxley, consciously adopted her pioneering styles, and, along with DH Lawrence, used her character (she was called 'a dangerous woman') in their fiction. This parallel influence of her life as well as her literary voice has continued in such works as CK Stead's novel Mansfield. The clarity and vividness of her pared-back writi
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