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Architecture of the NKTP Sanatorium in Kislovodsk

Hardback

Main Details

Title Architecture of the NKTP Sanatorium in Kislovodsk
Authors and Contributors      By (author) Moisei Ginzburg
Physical Properties
Format:Hardback
Pages:88
Dimensions(mm): Height 285,Width 213
Category/GenreHistory of architecture
ISBN/Barcode 9781906257309
ClassificationsDewey:725.51094752
Audience
General
Illustrations 130 Illustrations, unspecified

Publishing Details

Publisher Fontanka
Imprint Fontanka
Publication Date 24 October 2019
Publication Country United Kingdom

Description

First English-language publication of a book that documents the creation of Moisei Ginzburg's NKTP Sanatorium in Kislovodsk - a modernist masterpiece that withstood the ideological pressures of the time The NKTP (People's Commissariat for Heavy Industry) Sanatorium was commissioned in 1934 by Grigory Ordzhonikidze, one of Stalin's closest allies and head of the Commissariat for Heavy Industry (he committed suicide after falling out with Stalin in 1937, the year of the sanatorium's completion). Despite the prevailing ideology that sought to outlaw modernism in favour of Stalinist neoclassicism, architect Moisei Ginzburg, with a team that included Ivan Leonidov, Evgeny Popov and Nikolai Paliudov, succeeded in creating an architectural ensemble that essentially retained its modernist integrity - and today remains a masterpiece of 1930s modernism - while making only minor concessions to the new Stalinist orthodoxy. In the early Soviet period, Kislovodsk in the northern Caucasus became known as a centre for health spas and sanatoria - 'palaces of health for the workers'. Ginzburg's sanatorium still functions as a therapy centre, and retains many of its original features, including windows, light fixtures, some of the furniture etc. This first English-language publication of the original book documenting its creation is an important addition to the Ginzburg canon.

Author Biography

Moisei Ginzburg (1892-1946) was an architect, theorist, teacher, and a leader of the Constructivist group in Soviet avant-garde architecture. His magnum opus, Style and Epoch (1924), was essentially a manifesto of Constructivism as the architectural style of the new Soviet era.