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Ratcatcher
Paperback / softback
Main Details
Title |
Ratcatcher
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Authors and Contributors |
By (author) Annette Kuhn
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Series | BFI Film Classics |
Physical Properties |
Format:Paperback / softback | Pages:96 | Dimensions(mm): Height 190,Width 135 |
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Category/Genre | Film theory and criticism |
ISBN/Barcode |
9781838719487
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Classifications | Dewey:791.4372 |
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Audience | Professional & Vocational | |
Edition |
2nd edition
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Publishing Details |
Publisher |
Bloomsbury Publishing PLC
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Imprint |
Bloomsbury Publishing PLC
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NZ Release Date |
3 September 2020 |
Publication Country |
United Kingdom
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Description
Lynne Ramsay's bleak yet beautifully photographed debut unflinchingly portrays life on a Glasgow housing estate during the 1973 refuse collectors' strike, as seen through the eyes of 12-year-old James Gillespie (William Eadie). After James's friend falls into a canal and drowns, James becomes increasingly withdrawn. As bags of rubbish pile up and rats move in, James finds solace in his friendships with Kenny, an odd boy who loves animals, and Margaret Anne, a teenage misfit. Annette Kuhn's study of the film, the first to offer an overarching account of Ramsay's work, considers the director's background and Ratcatcher alongside her earlier films. Kuhn traces the film's production history in the context of Scottish media and literary cultures, and its cinematic influences, while acknowledging the distinctiveness of Ramsay's poetic, visionary style. Kuhn draws on interviews with Ramsay and others involved in the film's production, and combines this with a close reading of selected passages to provide an in-depth and illuminating analysis of the film's poetic style and its aesthetics, including an examination of its construction of a child's world through a highly distinctive organisation of cinematic space.
Author Biography
Annette Kuhn is Emeritus Professor in Film Studies at Queen Mary University of London, UK, and a Fellow of the British Academy. Publications include Family Secrets: Acts of Memory and Imagination; An Everyday Magic: Cinema and Cultural Memory (2002); Little Madnesses: Winnicott, Transitional Phenomena and Cultural Experience (2013); and, with Guy Westwell, Oxford Dictionary of Film Studies (2012).
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