The End of the French Intellectual: From Zola to Houellebecq

Description

Internationally acclaimed Israeli historian Shlomo Sand made his mark with books such as The Invention of the Jewish People and The Invention of the Land of Israel. Returning here to an early fascination, he turns his attention to the figure of the French intellectual. From his student years in Paris, Sand has repeatedly come up against the ""great French thinkers."" He has an intimate knowledge of the Parisian intellectual world and its little secrets, on which he draws to overturn certain myths attaching to the figure of the ""intellectual"" that France prides itself on having invented. Mixing reminiscence and analysis, he revisits a history that, from the Dreyfus Affair through to Charlie Hebdo, seems to him that of a long decline. As a long-time admirer of Zola, Sartre and Camus, Sand is staggered to see what the French intellectual has become today, in such characters as Michel Houellebecq, Eric Zemmour and Alain Finkielkraut. In a work that gives no quarter, and focuses particularly on the Judeophobia and Islamophobia of the elites, he casts on the French intellectual scene a gaze that is both disabused and mordant.

Shlomo Sand studied History at the University of Tel Aviv and at the Ecole des hautes etudes en sciences sociales in Paris. He currently teaches Contemporary History at the University of Tel Aviv. His books include The Invention of the Jewish People, On the Nation and the Jewish People, How I Stopped Being a Jew, The Invention of the Land of Israel, and Twilight of History.

In a book that is both scholarly and autobiographical, political and polemical, the historian Shlomo Sand traces a story of decline and fall. And yet, this son of a scarcely literate housewife and a Communist militant who failed to finish school had long sought to join the privileged band. As an adolescent, he even dreamed of becoming one of the 'mandarins' portrayed by Simone de Beauvoir. Their troubling reaction to Nazi occupation, their blindness towards Stalinism, and their emotional outpourings to Mao Zedong, have all caused the statue of the French intellectual to crumble. * Le Monde * Praise for Twilight of History: Sand makes a convincing case against linear history, retrospectively invented continuities, anachronistic or ahistorical transpositions. He stresses the necessity of situating one's own point of view, contextualizing and historicizing events, bringing to light bifurcations, paths not taken, contradictions and possibilities. And above all, of never sticking to the views of the dominant and the victors. -- Roland Pfefferkorn * La Marseillaise * Praise for The Twilight of History: Shlomo Sand asks ironically and seriously whether Clio's days are not numbered. In Twilight of History he retraces the broad lines of humanity's evolution and questions our relationship to antiquity and Christianity as foundations of Western civilization. Sand recalls that the discipline owes its institutionalization to the establishment of nation-states, given the task of retracing their origins and fuelling their glory, and he asks how far it can survive these. -- Maialen Berasategui * Le magazine litteraire * Praise for The Twilight of History: After Israel, it is Clio, the muse of history, who is the object of Sand's rigorous examination, with such painful questions as whether we have to accept the impossibility of a morally neutral history. Is history not basically a 'concealed theology', as Nietzsche saw it, designed to build and maintain the foundation myths of nations? At the end of an essay illuminated by personal touches, the pillars of historical self-evidence fallone after the other: Greek 'heritage', Eurocentrism, arbitrary periodization.Venturing outside the carapace of his specialization, Shlomo Sand sees far, and brings a fresh breeze to arid certainties. -- Emmanuel Gehrig * Le Temps * Praise for The Twilight of History: The Israeli historian has a magisterial work behind him. No one has better shown how a national history is fabricated and constructed on the sands of an ideology. What Shlomo Sand now offers us generalizes this argument, and we can only salute his erudite presentation of the establishment of history as a 'science' in the service of national passions. His chapter titles, 'Undoing the myth of origins', 'Escape from politics?', 'Probing the truth of the past' are so many stimulating injunctions. -- Marc Riglet * Lire * Praise for The Twilight of History: Sand does not just make the case against a certain historical narrative, he also rumples the historians, including such contemporary icons as the founders of the Annales school, Marc Bloch and Lucien Febvre, whom he reproaches of indifference in their studies to the great political affairs of their time, Nazism, Stalinism and Judeophobia. In this time of reform of history teaching and rehabilitation of great republican myths, Shlomo Sand's simple but indispensable message is to beware of ourselves. -- Denis Sieffert * Politis * Ever since his student years in Paris, Sand has regularly come up against the 'great French thinkers'. He has an intimate knowledge of the Parisian intellectual world and its little secrets, on which he draws to overturn certain myths attaching to the figure of the 'intellectual' that France prides itself on having invented. Mixing reminiscence and analysis, he revisits a history that, from the Dreyfus Affair through to Charlie Hebdo, seems to him that of a long decline. As a long-time admirer of Zola, Sartre and Camus,Sand is staggered to see what the French intellectual has become today, in such characters as Michel Houellebecq, Eric Zemmour and Alain Finkielkraut. In a work that gives no quarter, and focuses particularly on the Judeophobia and Islamophobia of the 'elites', he casts on the French intellectual scene a gaze that is both disabused and sarcastic. * Ouest France * This brilliant essay is not just another history of intellectuals in France. It is rather a critique of those figures 'caught in the torment of the twentieth century', following the models of Zola, Sartre or Camus whom Sand so admired in his youth, yet whose ambiguities he recalls here, from Zola's attacks on the Paris Commune to Sartre's lack of courage under the Occupation, or Camus's position during the Algerian war. Sand emphasizes how a large section of the dominant intellectuals during the Dreyfus Affair were not in fact Dreyfusards, but championed an ethno-biological conception of the nation, excluding all those whom they did not consider of 'French stock'. This enables him to draw up a detailed and rigorous charge-sheet against our contemporary media intellectuals, Finkielkraut, Houellebecq, Zemmour, Bruckner, Bernard-Henri Levy and Philippe Val who, often with a past in Stalinism or Maoism, and having undergone a belated and easy anti-totalitarianism (long after Orwell, Souvarine or Castoriadis), invoke the old demons of xenophobia, in their case an Islamophobia that suits the spirit of the time and 'stabilizes the existing hierarchical order'. The very opposite of the function that intellectuals should perform in a democratic society thatis today in crisis. -- Olivier Doubre * Politis * Fourteen years after Daniel Lindenberg's pioneering essay, it is Shlomo Sand's turn to target this family of conservative and declinist thinkers or polemicists, running from Michel Houellebecq to Renaud Camus by way of Alain Finkielkraut and Eric Zemmour - the two latter both sons of Jewish immigrants (Polish in the first case, Berber in the second) yet who constantly champion French identity and roots, mythologizing a 'stable and homogeneous past that actually never existed'. -- Juliette Cerf * Telerama * Shlomo Sand has produced a stimulating book, combining erudition and historical perspective. Under the title 'The end of the French intellectual? From Zola to Houellebecq', this Israeli historian interrogates the figure of the intellectual in France. -- Hassina Mechai * Mediapart * The title's question mark will not deceive anyone: the end of the French intellectual is proclaimed in a book that is not charitable towards everyone. But we can expect no less from Shlomo Sand, a committed historian who is highly critical and controversial in his own country, Israel. The first part of the book, and much the longest, runs from Zola (even if it refers back to Voltaire) to Sartre, Foucault and Bourdieu. This story has been told in many books and articles by other authors. But Sand usefully recalls how the notion of an intellectual by definition 'on the left' after the model of Zola is a myth, even for the Dreyfus Affair. Political lucidity was often far from meeting the challenges of the day. But this part is interesting above all for its reflections on French intellectual specificity and on theories of the role of intellectuals in relation to institutions (governments and parties), as well as to the 'people' whom they are supposed to enlighten. * Esprit * Shlomo Sand, a specialist on nationalism and a fine connoisseur of our French ideological scene, is well qualified to tackle the place of the 'intellectual' in our national history and promote a fresh approach. This promise is basically fulfilled. -- Marc Riglet * Lire *