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The Black Prince: Adapted from an original script by Anthony Burgess
Paperback / softback
Main Details
Title |
The Black Prince: Adapted from an original script by Anthony Burgess
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Authors and Contributors |
By (author) Adam Roberts
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By (author) Anthony Burgess
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Physical Properties |
Format:Paperback / softback | Pages:320 | Dimensions(mm): Height 198,Width 129 |
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Category/Genre | War and combat fiction Historical fiction |
ISBN/Barcode |
9781783526420
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Classifications | Dewey:823.92 |
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Audience | |
Edition |
2nd edition
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Publishing Details |
Publisher |
Unbound
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Imprint |
Unbound
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Publication Date |
13 June 2019 |
Publication Country |
United Kingdom
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Description
'I'm working on a novel intended to express the feel of England in Edward III's time ... The fourteenth century of my novel will be mainly evoked in terms of smell and visceral feelings, and it will carry an undertone of general disgust rather than hey-nonny nostalgia' - Anthony Burgess, Paris Review, 1973The Black Prince is a brutal historical tale of chivalry, religious belief, obsession, siege and bloody warfare. From disorientating depictions of medieval battles to court intrigues and betrayals, the campaigns of Edward II, the Black Prince, are brought to vivid life by an author in complete control of the novel as a way of making us look at history with fresh eyes, all while staying true to the linguistic pyrotechnics and narrative verve of Burgess's best work.
Author Biography
Adam Roberts is a writer, critic and academic. He is the author of sixteen novels and many shorter works, including the prize-winning Jack Glass (2012). His most recent novel is The Real-Town Murders (2017). He is Professor of Nineteenth-Century Literature at Royal Holloway, University of London, and has published critically on a wide range of topics, including nineteenth- and twentieth-century fiction and science fiction. He lives in the south-east of England.
Reviews'The Black Prince is as dark and bloody as its protagonist ... a colourful medieval tapestry combined with the grimness of twentieth-century newsreel' Margaret Drabble, TLS 'A stylistic pastiche that is far more than a tribute act - as though Roberts has dismantled the clockwork that made Burgess tick and reassembled it in a new form' Guardian
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