Manservant and Maidservant

Description

Horace Lamb runs an austere household with tyrannical force and cruel economy. His five children shiver through the winter and learn that a fire is not a thing to be taken for granted. Hierarchies are more lightly enforced in the servants' quarters, where Bullivant and Mrs Selden attempt to rein in their young charges. When Horace suddenly turns attentive and caring, the real difficulties begin: the taut order of the household slackens, setting loose old grievances. Her own favourite among her novels, Manservant and Maidservant is Ivy Compton-Burnett at her laceratingly witty best. 'Original, artful and elegant... To read her for the first time is a singular experience' - Hilary Mantel

Ivy Compton-Burnett (1884-1969) was one of twentieth-century England's most original and admired writers. The seventh of thirteen children, she was raised in Richmond and Hove and studied Classics at Royal Holloway College. Her family was struck by repeated disasters starting with the death of her father in 1901; Compton-Burnett eventually took charge of the household until it was broken up during the First World War. Compton-Burnett lived alone in London until she was joined in 1919 by Margaret Jourdain, a writer and furniture expert who was to be her lifelong companion. Aside from a disavowed early novel, Compton-Burnett published eighteen highly acclaimed works of fiction in her lifetime, won the James Tait Black Memorial Prize and was made a Dame shortly before her death. A House and Its Head, More Women than Men and Daughters and Sons are also available from Pushkin Press.

'Original, artful and elegant... To read her for the first time is a singular experience' - Hilary Mantel 'Shrewd, sly, mordantly funny and magnificently odd, few literary voices are as distinctive, or as entertaining, as Ivy Compton-Burnett's. To see a novel of hers back in print is always a cause for celebration' - Sarah Waters 'Compton-Burnett anatomised primal emotions in a genteel arena: there are shades of Jane Austen here, as well as Pinter and Muriel Spark, but she remains entirely original - funny, shocking, horribly true' - Justine Jordan 'Bonkers... a tightly repressed mania holds sway. Relief takes the form of howls of laughter from the reader' - Geoff Dyer 'She is as much part of our great twentieth-century fictional heritage as Virginia Woolf or Elizabeth Bowen... She writes wonderfully, giving her often ghastly characters mordantly witty lines worthy of Dorothy Parker or Oscar Wilde' - Guardian