Kasimir Malevich's (1878-1935) sudden and startling realization of a nonrepresentational way of painting, which he called Suprematism, stands as a seminal moment in twentieth-century art. Rainer Crone and David Moos trace the artist's development from his beginnings in the Ukraine to his involvement with Futurist circles in Moscow through to the la
Author Biography
Rainer Crone is Professor Emeritus at Ludwig Maximilian University, Munich, Germany. David Moos is a curator and writer.
