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The Luminous and the Grey

Paperback / softback

Main Details

Title The Luminous and the Grey
Authors and Contributors      By (author) David Batchelor
Physical Properties
Format:Paperback / softback
Pages:128
Dimensions(mm): Height 210,Width 148
Category/GenreTheory of art
ISBN/Barcode 9781780232805
ClassificationsDewey:701.85
Audience
General
Illustrations 5 colour

Publishing Details

Publisher Reaktion Books
Imprint Reaktion Books
Publication Date 1 February 2014
Publication Country United Kingdom

Description

A new book from Reaktion best-selling author and artist, David Batchelor, The Luminous and the Grey is a unique study of the places where colour comes into being and where it fades away. Colour is a given of most people's everyday lives, but at the same time it lies at the limits of language and understanding. David Batchelor's previous book for Reaktion, Chromophobia, addressed the extremes of love and loathing that colour has provoked since antiquity. This book charts more ambiguous terrain. The Luminous and the Grey is a study of the places where colour comes into being and where it fades away, an inquiry into when colour begins and when it ends, both in the material world and in the imagination.

Author Biography

David Batchelor is an artist and writer based in London. He is the author of three books, including Chromophobia (2000) also published by Reaktion Books.

Reviews

"All theory is grey, Mephistopheles pronounces in Goethe's Faust. But greyness is the last thing to hold against David Batchelor's colourful essay, The Luminous and the Grey. In three short chapters, the London-based artist-author offers to vindicate 'a colour without a colour' that does so much of the unpaid housework in what we see and what artists make . . . Batchelor ranges wide, touching art, film, optics, and philosophy. His main point is that, contrary to reputation, grey can be bright, engaging, and luminous.' --RA Magazine "Although a measured and carefully researched book, it also takes the reader by surprise, particularly in the run up to the final section on grey, where at first we have a rerun of the many prejudices to be found against this colour, but then suddenly Batchelor turns this around and allows all the bad feeling to unravel. He moves elegantly to a subtle and thought-provoking reflection that draws upon a wide range of sources, including his personal reflections. . . . Batchelor literally delves into ideas about grey and goes further and deeper than I have come across . . . Great read." --Cassone Art Review