A King Alone

Description

An existential detective story by one of France's most popular modern writers, set in a mid-nineteenth century mountain village, available in English for the first time. This is the first English-language translation of Jean Giono's 1947 masterpiece, Un Roi Sans Divertissement, A King Without Diversion, which takes its title from Pascal's famous remark that "a man without diversions is a man with misery to spare." Giono's novel is an existential detective story set in a snowbound mountain village in the mid-nineteenth century. Deep in winter, inhabitants of the village begin mysteriously to disappear, and Langlois is sent to investigate. A manhunt begins and Langlois brings the case to what appears to be a successful conclusion. Some years later, again in winter, Langlois returns to the village, now having been promoted to the position of captain of the brigade that protects the inhabitants and their property from wolves. Langlois is a charismatic and enigmatic kingly figure who fascinates the villagers he has been sent to protect, and yet he feels set apart from them and from himself, and as he pursues the wolf who is preying on the village, he identifies more and more with the murderer who had been his earlier target. The splendid, tormented Langlois is very much at the center of the novel, but he is surrounded by a full cast of remarkable characters. There is Sausage, the "saucy" and "sassy" cafe owner; Fre de ric II, the brave sawmill owner who tracks the killer; Ravanel Georges, an almost-victim of the murderer; the potbellied Royal Prosecutor with his profound knowledge of "men's souls"; the murdered Marie Chazottes and her "peppery blood"; and an exotic woman from the "very high" places in Mexico who befriends Langlois and Sausage. In Alyson Waters's outstanding translation the many voices in this wonderfully inventive and diverting novel by one of the most perennially popular of modern French writers come to brilliant life in English.

Jean Giono (1895-1970) was born and lived most of his life in the town of Manosque, Alpes-de-Haute-Provence. Largely self-educated, he started working as a bank clerk at the age of sixteen and reported for military service when World War I broke out. After the success of Hill, which won the Prix Brentano, he left the bank and began to publish prolifically. During World War II his outspoken pacifism led some to accuse him, unjustly, of defeatism and collaboration with the Nazis. After France's liberation in 1944, he was imprisoned and held without charges. Despite being blacklisted after his release, Giono continued writing and achieved renewed success. He was elected to the Acade mie Goncourt in 1954. NYRB Classics publishes Giono's Hill and Melville. Alyson Waters has translated several works from the French by Albert Cossery, Louis Aragon, Rene Belletto, and others. She teaches literary translation in the French department of Yale University and is the managing editor of Yale French Studies. For NYRB Classics, Waters has translated Emmanuel Bove's Henri Duchemin and His Shadows and, for The New York Review Children's Collection, The Tiger Prince by Chen Jiang Hong. She lives in Brooklyn, New York.

"Langlois is as mysterious as Sam Spade....The haunting beauty of this novel lies precisely in its lacunae. This is a book rich with details . . . everything except what we are most longing to know, Langlois's thoughts. We must do all the work ourselves." -Edmund White, The New York Review of Books "Strange and disquieting . . . the twisting narrative reads like a game of telephone passed through generations, with Langlois at the center as a sort of legendary totem to the villagers." -Publishers Weekly "This immersive novel creates a memorably delirious sense of mystery, obsession, and altered perceptions." -Kirkus "For Giono, literature and reality overlap the way that waves sweep over the shore, one ceaselessly refreshing the other and, in certain wondrous moments, giving it a glassy clearness." -Ryu Spaeth, The New Republic "Giono's writing possesses a vigor, a surprising texture, a contagious joy, a sureness of touch and design, an arresting originality, and that sort of unfeigned strangeness that always goes along with sincerity when it escapes from the ruts of convention." -Andre Gide, unpublished letter, 1929