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A Long Time Ago in a Cutting Room Far, Far Away: My Fifty Years Editing Hollywood Hits-Star Wars, Carrie, Ferris Bueller's Day O

Hardback

Main Details

Title A Long Time Ago in a Cutting Room Far, Far Away: My Fifty Years Editing Hollywood Hits-Star Wars, Carrie, Ferris Bueller's Day O
Authors and Contributors      By (author) Paul Hirsch
Physical Properties
Format:Hardback
Pages:448
Dimensions(mm): Height 229,Width 152
Category/GenreElectronic, holographic and video art
Films and cinema
ISBN/Barcode 9781641602556
ClassificationsDewey:778.593092
Audience
General

Publishing Details

Publisher Chicago Review Press
Imprint Chicago Review Press
Publication Date 5 November 2019
Publication Country United States

Description

A Long Time Ago in a Cutting Room Far, Far Away is a behind-the-scenes look at some of the most influential films of the last fifty years by Paul Hirsch, a film editor who worked on more than forty features. Starting with his work on Carrie, Hirsch gives insight into the production process, touching upon casting, directing, cutting, and scoring. It's a riveting look at the decisions that went into creating memorable and iconic scenes and offers fascinating portraits of filmmakers, stars, and composers. Part film-school primer, part paean to legendary directors and professionals, the funny yet insightful writing will entertain and inform aficionados and casual moviegoers alike.

Author Biography

Paul Hirsch received the Academy Award for his editing work on Star Wars in 1978. In 2005, he received his second Academy Award nomination for Taylor Hackford's Ray. He is the only person to ever win the Saturn Award for best editing twice. In 2017 he was given the special Award to Editor with Unique Visual Sensitivity by the International Film Festival of the Art of Cinematography, Camerimage. He lives in Los Angeles.

Reviews

"Veteran Hollywood film editor Hirsch's memoir overflows with fascinating insights and anecdotes" -- Publishers Weekly "Paul Hirsch, a master of his craft, has written an intelligent, perceptive, compelling memoir of his editing life, from the late '60s through today. From the heights of Star Wars to the depths of Pluto Nash , if you want to know how the sausage is cut, this is the book for you. I should know, I was with him in the beginning and through our misadventure to Mars. Congratulations, Paul, for remembering all the things we forgot." -- Brian De Palma "It shouldn't be surprising that a great storyteller can tell great stories. From the man in the (cutting) room where it happened on many of our favorite films comes a glorious piece of work that makes you feel that you were there yourself. How do I feel about this book? Not 'ipsy-pipsy'. If you want to decipher that, read it!" -- J J Abrams "Paul's written a terrific expert's view of the editing process, which I believe will be an important technical and historical narrative for future filmmakers and film lovers." -- Taylor Hackford "Storyteller and showman, film editor Paul Hirsch narrates the ups and downs of his fifty-year career on the jungle gym of cinema with fascinating inside-the-boiler-room tales of how classic hits and flops were constructedand deconstructed. Jaw-dropping tales of working with George Lucas on Star Wars and The Empire Strikes Back and on eleven Brian De Palma films (Carrie, Phantom of the Paradise, etc.). Paul's invaluable tips and insights, hard won through experience, will brilliantly illuminate the creative process for aspiring filmmakers and enthusiasts alike." -- Walter Murch "For its sheer excellence, diversity, and cultural impact, Paul Hirsch's filmography speaks for itself. They say a film is made in the editing room, and this book is easily the most comprehensive, revelatory, and illuminating account of this essential cinematic art. A must-read for both the casual moviegoer and the serious cinephile alike." -- Mark Hamill "The stories and insights from a veteran editor will appeal to cinephiles and anyone looking to learn more about the craft." -- Booklist "Mr. Hirsch paints a vivid picture of the crucial work done by film editors." -- Wall Street Journal