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The Spitboy Rule: Tales of a Xicana in a Female Punk Band

Paperback / softback

Main Details

Title The Spitboy Rule: Tales of a Xicana in a Female Punk Band
Authors and Contributors      By (author) Michelle Cruz Gonzales
Afterword by Martin Sorrondeguy
Foreword by Mimi Thi Nguyen
Physical Properties
Format:Paperback / softback
Pages:136
Dimensions(mm): Height 216,Width 140
Category/GenrePunk, New Wave and Indie
ISBN/Barcode 9781629631400
ClassificationsDewey:781.660922
Audience
General
Illustrations 1 Illustrations, unspecified

Publishing Details

Publisher PM Press
Imprint PM Press
Publication Date 1 May 2016
Publication Country United States

Description

Michelle Cruz Gonzales played drums and wrote lyrics in the influential 1990s female hardcore band Spitboy, and now she's written a book - a punk rock herstory. Though not a riot grrl band, Spitboy blazed trails for women musicians in the San Francisco Bay Area and beyond, but it wasn't easy. Misogyny, sexism, abusive fans, class and colour blindness and all-out racism were foes, especially for Gonzales, a Xicana and the only person of colour in the band. This memoir chronicles Spitboy's successes and failures, and for Gonzales, discovering her own identity.

Author Biography

Michelle Cruz Gonzales played drums and wrote lyrics for several bands during the 1980s and 1990s. Her writing has been published in anthologies, literary journals, and Hip Mama magazine. Michelle teaches English and creative writing at Las Positas College. She lives in Oakland, CA. Mimi Thi Nguyen is associate professor of gender and women's studies and Asian American studies at the University of Illinois, Urbana-Champaign. She is the author of The Gift of Freedom: War, Debt, and Other Refugee Passages. For the last fifteen years, Martin Sorrondeguy has been the singer of the openly queer punk band Limp Wrist. Sorrondeguy recently completed his third photography book, En Busca De Algo Mas.

Reviews

"The Spitboy Rule is a compelling and insightful journey into the world of '90s punk as seen through the eyes of a Xicana drummer who goes by the nickname Todd. Todd stirs the pot by insisting that she plays hardcore punk, not Riot Grrrl music, and inviting males to share the dance floor with women in a respectful way. This drummer never misses a beat. Read it!" --Alice Bag, singer for the Bags, author of Violence Girl: East L.A. Rage to Hollywood Stage, a Chicana Punk Story "Best punk memoir that I've ever had the privilege of reading. In a punk scene dominated by middle-class, white males, you can't forget Spitboy, four brave women playing music with the intensity of an out-of-control forest fire. Gonzales's involvement and presence in the punk scene, in particular, was significant because she represented a radical, feminist person of color, and she reflected a positive change in the scene for the Bay Area. Her memoir, chronicling her unique experience and perspective, occupies an important moment in the punk saga. This is a must-read for anyone still dedicated to social justice and change." --Wendy-O Matik, author of Redefining Our Relationships: Guidelines for Responsible Open Relationships "Incisive and inspiring, Michelle Cruz Gonzales's The Spitboy Rule brings the '90s punk world to life with equal parts heart and realism. Her story becomes a voyage of self-discovery, and Gonzales is the perfect guide--as she writes in rapidfire drum beats about epic road tours, female camaraderie, sexist fans, and getting accused of appropriating her own culture." --Ariel Gore, Hip Mama "Michelle Gonzales's punk rock account is inspiring on many levels. For outsider artists, women musicians, or anybody who has ever felt the desire to forge an identity in uncharted territory, this book is detailed, heartfelt, and historically important. Briskly told in clean, conversational prose, The Spitboy Rule is an entertaining read and functions as an important historical, critical, and sociopolitical document of pre-internet DIY music." --Jesse Michaels, vocalist for Operation Ivy and author of Whispering Bodies