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Felicity: Poems

Hardback

Main Details

Title Felicity: Poems
Authors and Contributors      By (author) Mary Oliver
Physical Properties
Format:Hardback
Pages:96
Dimensions(mm): Height 211,Width 137
Category/GenrePoetry by individual poets
ISBN/Barcode 9781594206764
ClassificationsDewey:811.54
Audience
General

Publishing Details

Publisher Penguin Putnam Inc
Imprint The Penguin Press
Publication Date 13 October 2015
Publication Country United States

Description

A new poetry collection from New York Times bestselling poet and winner of the Pulitzer Prize, Mary Oliver In this stunning collection of new poems, Felicity, Mary Oliver turns her eye from the grace of the natural world to the even more mysterious landscape of the human heart. In these poems, she meditates on love and nature, describing with joy the strangeness and wonder of human connection. She asks what it means to truly love another person, while reminding us of the transformative power of attention. Humorous, gentle, and always honest, Oliver examines love both sacred and profane. As in Blue Horses, Dog Songs, and A Thousand Mornings, with Felicity Oliver praises love and life in all their savage beauty.

Author Biography

Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of 28. Over the course of her long career, she has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. Oliver currently lives in Florida.

Reviews

"Oliver's longtime fans and those who seek spiritual renewal will find themselves a worthy guide in this sagacious, pantheistic read." -Publishers Weekly "A breezy, inviting collection of love poems that celebrates the divine as much as it does the natural world or human relationships . . . An eloquent celebration of simple joy from one of America's most beloved poets." -The Washington Post "One of the astonishing aspects of Oliver's work is the consistency of tone over this long period [of her career]. What changes is an increased focus on nature and an increased precision with language that has made her one of our very best poets . . . There is no complaint in Ms. Oliver's poetry, no whining, but neither is there the sense that life is in any way easy . . . These poems sustain us rather than divert us. Although few poets have fewer human beings in their poems than Mary Oliver, it is ironic that few poets also go so far to help us forward." -Stephen Dobyns, New York Times Book Review "It has always seemed, across her 15 books of poetry, five of prose and several essays and chapbooks, that Mary Oliver might leave us at any minute. Even a 1984 Pulitzer Prize couldn't pin her to the ground. She'd change quietly into a heron or a bear and fly or walk off forever. Her poems contain windows, doors, transformations, hints on how to escape the body; there's the 'glamour of death' and the 'life after the earth-life' . . . The new poems teem with creation: ravens, bees, hawks, box turtles, bears. The landscape is Thoreauvian: ponds, marsh, grass and cattails; New England's 'salt brightness'; and fields in 'pale twilight.' The poems from Why I Wake Early (2004) are, in contrast, full of white things and 'untrimmable light'; from Owls and Other Fantasies (2003), of watery sounds, singing, rain; from West Wind (1997), of starry distances and traveling." -Susan Salter Reynolds, Los Angeles Times Sunday Book Review "In a region that has produced most of the nation's poet laureates, it is risky to single out one fragile 71-year-old bard of Provincetown. But Mary Oliver, who won the Pulitzer Prize in poetry in 1984, is my choice for her joyous, accessible, intimate observations of the natural world. Her "Wild Geese" has become so popular it now graces posters in dorm rooms across the land. But don't hold that against her. Read almost anything in New and Selected Poems. She teaches us the profound act of paying attention-a living wonder that makes it possible to appreciate all the others." -Renee Loth, Boston Globe "Oliver's poems are thoroughly convincing-as genuine, moving, and implausible as the first caressing breeze of spring." -New York Times Book Review