Paradise

Description

'Tempest has a gift for shattering and transcending convention.' New York Times Philoctetes lives in a cave on a desolate island: the wartime hero is now a wounded outcast. Stranded for ten years, he sees a chance of escape when a young soldier appears with tales of Philoctetes' past glories. But with hope comes suspicion - and, as an old enemy emerges, he is faced with an even greater temptation: revenge. Kae Tempest is now widely acknowledged as a revolutionary force in contemporary British poetry, music and drama; they continue to expand the range of their work with a new version of Sophocles' Philoctetes in a bold new translation. Like Brand New Ancients before it, Paradise shows Tempest's gift for lending the old tales an immediate contemporary relevance - and will find this timeless story a wide new audience.

Kae Tempest was born in London in 1985. Their work includes the plays Wasted, Glasshouse and Hopelessly Devoted; the poetry collections Everything Speaks in its Own Way and Hold Your Own; the albums Everybody Down, Balance and Let Them Eat Chaos; the long poems Brand New Ancients and Let Them Eat Chaos; and their debut novel, The Bricks that Built the Houses. They were nominated for the Mercury Music Prize for their debut album, Everybody Down, and received the Ted Hughes Award and a Herald Angel Award for Brand New Ancients. Kae was also named a Next Generation poet in 2014.

Tempest . . . doesn't just leap off the page, but leaps into your throat and demands to be shouted all the way out. -- Marlon James One of the brightest British talents around. [Tempest's] spoken-word performances have the metre and craft of traditional poetry, the kinetic agitation of hip-hop and the intimacy of a whispered heart-to-heart . . . drawing on ancient mythology and sermonic cadence to tell stories of the everyday * Guardian * Tempest stitches together words with such animate grace that language acquires an almost tactile quality . . . [An] hypnotically persuasive vision * New York Times * Breathe[s] new life into old classic forms . . . I loved its vision, powerful and merciful. -- Ali Smith, on Brand New Ancients