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Capturing the Light
Paperback
Main Details
Title |
Capturing the Light
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Authors and Contributors |
By (author) Roger Watson
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By (author) Helen Rappaport
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Physical Properties |
Format:Paperback | Pages:320 | Dimensions(mm): Height 234,Width 153 |
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Category/Genre | Photography and photographs Biographies and autobiography |
ISBN/Barcode |
9781509892037
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Audience | |
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Publishing Details |
Publisher |
Pan Macmillan
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Imprint |
Macmillan
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Publication Date |
8 February 2018 |
Publication Country |
United Kingdom
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Description
Capturing the Light starts with a tiny scrap of purple-tinged paper, 176 years old and about the size of a postage stamp. On it you can just make out a tiny, ghostly image of a gothic window, an image so small and perfect that it `might be supposed to be the work of some Lilliputian artist': the world's first photographic negative. This captivating book traces the lives of two very different men in the 1830s, both racing to be the first to solve one of the world's oldest problems: how to capture an image and keep it for ever. On the one hand there is Henry Fox Talbot: a quiet, solitary gentleman-amateur tinkering away on his farm in the English countryside. On the other Louis Daguerre, a flamboyant, charismatic French showman in search of fame and fortune. Only one question remains: who will get there first?
Author Biography
Roger Watson is a world authority on the early history of photography. He is currently the Curator of the Fox Talbot Museum at Lacock Abbey and an occasional lecturer at DeMontfort University in Leicester. Helen Rappaport is a historian with a specialism in the nineteenth century and revolutionary Russia. She is the author of eight published books, including Ekaterinburg: The Last Days of the Romanovs and Magnificent Obsession: Victoria, Albert and the Death that Changed the Monarchy.
Reviews`The history of photography told as a fierce race between two rivals . . . Reads like a scientific thriller' Observer `Cheerfully readable ... the authors' enthusiasm for those pioneering days of photography, the drama and the sense of something fabulous just over the horizon, is catching.' Sunday Telegraph
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