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The Bloomsbury Handbook of Music Production
Paperback / softback
Main Details
Title |
The Bloomsbury Handbook of Music Production
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Authors and Contributors |
Edited by Professor Simon Zagorski-Thomas
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Edited by Professor Andrew Bourbon
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Series | Bloomsbury Handbooks |
Physical Properties |
Format:Paperback / softback | Pages:432 | Dimensions(mm): Height 254,Width 178 |
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Category/Genre | Music Music recording and reproduction |
ISBN/Barcode |
9781501393426
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Classifications | Dewey:781.49 |
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Audience | Professional & Vocational | |
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Publishing Details |
Publisher |
Bloomsbury Publishing Plc
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Imprint |
Bloomsbury Academic USA
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Publication Date |
24 February 2022 |
Publication Country |
United States
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Description
The Bloomsbury Handbook of Music Production provides a detailed overview of current research on the production of mono and stereo recorded music. The handbook consists of 33 chapters, each written by leaders in the field of music production. Examining the technologies and places of music production as well the broad range of practices - organization, recording, desktop production, post-production and distribution - this edited collection looks at production as it has developed around the world. In addition, rather than isolating issues such as gender, race and sexuality in separate chapters, these points are threaded throughout the entire text.
Author Biography
Andrew Bourbon is Subject Area Lead of Music Technology at Huddersfield University, UK. He is also a producer, sound engineer, composer and musician and has produced and mixed records for The Waletones, Joe Wander, Lewis Bootle, Grupo Lokito and Alice Auer. Simon Zagorski-Thomas is Professor at the London College of Music, University of West London, UK, as well as a composer, sound engineer and producer. He founded and runs the 21st Century Music Practice Research Network and serves as series editor for the Cambridge Elements series and the Bloomsbury series on 21st Century Music Practice. His books include Musicology of Record Production (2014; winner of the 2015 IASPM Book Prize) and the Art of Record Production: Creative Practice in the Studio, co-edited with Katia Isakoff, Serge Lacasse and Sophie Stevance (2019).
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