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Judy Garland's Judy at Carnegie Hall

Paperback / softback

Main Details

Title Judy Garland's Judy at Carnegie Hall
Authors and Contributors      By (author) Manuel Betancourt
Series33 1/3
Physical Properties
Format:Paperback / softback
Pages:144
Dimensions(mm): Height 165,Width 121
Category/GenreVariety shows, music hall and cabaret
Musicals
Bands, groups and musicians
ISBN/Barcode 9781501355103
ClassificationsDewey:782.42164092
Audience
General

Publishing Details

Publisher Bloomsbury Publishing Plc
Imprint Bloomsbury Academic USA
Publication Date 14 May 2020
Publication Country United States

Description

On the night of Sunday, April 23, 1961 Judy Garland made history. That's no hyperbole. Surrounded by a throng of ecstatic fans (3,165 to be exact), the legendary performer delivered a concert in Carnegie Hall the live recording of which became, upon release, an unlikely pop cultural phenomenon. Judy at Carnegie Hall, the two-disc set that captured all 25 numbers she performed that night, went on to spend more than 70 weeks on the Billboard charts, win four Grammy Awards--including Album of the Year (making it the first live music album and the first album by a female performer to win the category)--and become, in the process, the fastest-selling two-disc set in history. What the recording highlights, and what's made it an enduring classic in a class of its own, is the palpable connection between the songstress and her fans. "Indeed," The New York Times reported in its review of the evening's proceedings, "what actually was to have been a concert--and was--also turned into something not too remote from a revival meeting." By looking at her song choices, her stage banter, the album's cultural impact, and her place in the gay pantheon, this book argues that Judy's palpable connection with her fans is precisely what her Capitol Records' two-disc album captured.

Author Biography

Manuel Betancourt is a writer based out of Los Angeles. He earned his Ph.D. in English Literature from Rutgers University, USA. His cultural criticism has appeared online in The New York Times, Film Quarterly, Esquire, and BuzzFeed Reader, among others.