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Transatlantic Crossings: British Feature Films in the United States

Hardback

Main Details

Title Transatlantic Crossings: British Feature Films in the United States
Authors and Contributors      By (author) Sarah Street
SeriesFilm Studies: Bloomsbury Academic Collections
Physical Properties
Format:Hardback
Pages:304
Dimensions(mm): Height 234,Width 156
Category/GenreFilm theory and criticism
ISBN/Barcode 9781474290678
ClassificationsDewey:791.430941
Audience
Tertiary Education (US: College)

Publishing Details

Publisher Bloomsbury Publishing PLC
Imprint Bloomsbury Academic
Publication Date 6 October 2016
Publication Country United Kingdom

Description

Transatlantic Crossings is a major study of the distribution and exhibition of British films in the USA. Charting the cross-cultural reception of many British films, Sarah Street draws on a wide range of sources including studio records, film posters, press books and statistics. While the power of Hollywood made it difficult for films that crossed the Atlantic, Street's research demonstrates that some strategies were more successful than others. She considers which British films made an impact and analyzes conditions that facilitated a positive reception from critics, censors, exhibitors and audiences. Case studies include Nell Gwyn (1926), The Private Life of Henry VIII (1933), The Ghost Goes West (1935), Henry V (1946), Black Narcissus (1947), The Red Shoes (1948), Ealing comedies, The Horror of Dracula (1958), Tom Jones (1963), A Hard Day's Night (1964), Goldfinger (1964), The Remains of the Day (1993), Four Weddings and a Funeral (1994) and Trainspotting (1996). Against a background of the economic history of the British and Hollywood film industries, Transatlantic Crossings considers the many fascinating questions surrounding the history of British films in the USA, their relevance to wider issues of Anglo-American relations and to notions of "Britishness" on screen.

Author Biography

Sarah Street is Professor of Film at the University of Bristol, UK.