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Science Fiction Criticism: An Anthology of Essential Writings
Paperback / softback
Main Details
Description
Including more than 30 essential works of science fiction criticism in a single volume, this is a comprehensive introduction to the study of this enduringly popular genre. Science Fiction Criticism: An Anthology of Essential Writings covers such topics as: *Definitions and boundaries of the genre *The many forms of science fiction, from time travel to 'inner space' *Ideology and identity: from utopian fantasy to feminist, queer and environmental readings *The non-human: androids, aliens, cyborgs and animals *Race and the legacy of colonialism The volume also features annotated guides to further reading on these topics. Includes writings by: Marc Angenot, J.G. Ballard, Damien Broderick, Istvan Csicsery-Ronay, Samuel R. Delany, Philip K. Dick, Grace Dillon, Kodwo Eshun, Carl Freedman, Allison de Fren, Hugo Gernsback, Donna Haraway, N. Katherine Hayles, Robert A. Heinlein, Nalo Hopkinson, Veronica Hollinger, Fredric Jameson, Gwyneth Jones, Rob Latham, Roger Luckhurst, Judith Merril, John B. Michel, Wendy Pearson, John Rieder, Lysa Rivera, Joanna Russ, Mary Shelley, Stephen Hong Sohn, Susan Sontag, Bruce Sterling, Darko Suvin, Vernor Vinge, Sherryl Vint, H.G. Wells, David Wittenberg and Lisa Yaszek
Author Biography
Rob Latham is an independent scholar based in the USA. Winner of the Science Fiction Research Association's Thomas D. Clareson award for distinguished service to the field, he is editor of the journal Science Fiction Studies and of The Oxford Handbook of Science Fiction (2014), co-editor of The Wesleyan Anthology of Science Fiction (2010) and author of Consuming Youth: Vampires, Cyborgs and the Culture of Consumption (2002). For two decades, he was a senior editor of the journal Science Fiction Studies.
ReviewsUltimately, by covering many bases without being laborious, Latham's Science Fiction Criticism manages to offer a high use-value for students of science fiction while also appealing to non-academic fans. * SFRA Review * Science Fiction Criticism: An Anthology of Essential Writings is an excellent collection for use in teaching or as a reference volume, especially for newer scholars who may not have access to or knowledge of some of the older pieces collected here. Above all it emphasizes the diversity of the scholarship (and of original texts) beyond what too many consider to be 'just science fiction.' I predict it will be among the most useful collections for many years. * The Journal of the Fantastic in the Arts * The editor of this seminal anthology will be familiar to SF critics. Rob Latham has been at the helm of two extremely important books, The Oxford Handbook of Science Fiction and The Wesleyan Anthology of Science Fiction, and for years he has served in an editorial capacity at Journal of the Fantastic in the Arts and most notably Science Fiction Studies, earning the Thomas D. Clareson award in 2013 for outstanding service in the field. It is fitting for him now to be the editor of Science Fiction Criticism, a crown jewel in his scholarship to date that should resonate with all students and academics who are new to SF or involved in the study and teaching of it. * Extrapolation * A comprehensive and scholarly exploration of sf's history as a genre of socio-political opposition. * Morning Star * A very welcome addition to the bookshelves of scholars and students alike who will find it extraordinarily helpful to have such a range of critical interventions in one volume. * Forum for Modern Language Studies * This collection is a stunning mixture of the familiar and the new: a combination of what's absolutely essential for anyone embarking on research in the Science Fiction field, and pieces that almost certainly will become essential in years to come. In fact, I would wager that Latham's collection itself will become essential reading and the go-to textbook for most if not all undergraduate courses in Science Fiction in the very near future ... For those of us on the staff side of the academic divide, the collection provides access to essays that may have been on our 'to-read' list for a long time, articles we have heard about but never unearthed, and introductions to areas beyond our specific sub-disciplines. This is an impressive feat of scholarship and critical historiography and an absolute boon to the field for teachers and students alike - and it's affordable to boot (well done, Bloomsbury). I recommend it unreservedly. * Fantastika * A truly excellent and innovative selection of essays that ranges from classics to essays that should and will become classics. * Farah Mendlesohn, editor of The Cambridge Companion to Science Fiction * Rob Latham's sagely curated Science Fiction Criticism comes as close as we can hope for to a manageable archive of indispensable works of science fiction criticism. The compelling selections are consistently in conversation with one another, revealing the dialectical process through which the critical understanding of science fiction has matured. * Brooks Landon, author of Science Fiction After 1900: From the Steam Man to the Stars * For both beginning and experienced researchers, this volume is a finely balanced overview of science fiction's critical conversations-and should become a fixture on every serious critic's bookshelf. For those teaching science fiction, it is indispensable * Pawel Frelik, past president of the Science Fiction Research Association * In five useful sections, essays by science fiction authors, critics and theorists followed by well-chosen further reading lists, provide an invaluable resource for students interested in science fiction and its wider contexts. * Katharine Cockin, University of Hull, UK * As a teaching resource, its usefulness is undeniable. * Science Fiction Studies * One of the most valuable things about this anthology is that it demonstrates, time and again, how wide our universe of discourse has to be ... and how whatever story we tell about sf can never be the whole story. It is an invaluable anthology because, at last, we have a number of classic texts, from Gernsback's original editorial to Shelley's introduction, together in one place. It is an invaluable anthology because it gathers together a range of key essays, by some of the most important voices in the field. It is a book, in short, that deserves a place on your shelves. * Foundation: The International Review of Science Fiction *
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