Ceramic, Art and Civilisation

Description

"Full of surprises evocative." The Spectator "Passionately written." Apollo "An extraordinary accomplishment." Edmund de Waal "Monumental." Times Literary Supplement "An epic reshaping of ceramic art." Crafts "An important book." The Arts Society Magazine In his major new history, Paul Greenhalgh tells the story of ceramics as a story of human civilisation, from the Ancient Greeks to the present day. As a core craft technology, pottery has underpinned domesticity, business, religion, recreation, architecture, and art for millennia. Indeed, the history of ceramics parallels the development of human society. This fascinating and very human history traces the story of ceramic art and industry from the Ancient Greeks to the Romans and the medieval world; Islamic ceramic cultures and their influence on the Italian Renaissance; Chinese and European porcelain production; modernity and Art Nouveau; the rise of the studio potter, Art Deco, International Style and Mid-Century Modern, and finally, the contemporary explosion of ceramic making and the postmodern potter. Interwoven in this journey through time and place is the story of the pots themselves, the culture of the ceramics, and their character and meaning. Ceramics have had a presence in virtually every country and historical period, and have worked as a commodity servicing every social class. They are omnipresent: a ubiquitous art. Ceramic culture is a clear, unique, definable thing, and has an internal logic that holds it together through millennia. Hence ceramics is the most peculiar and extraordinary of all the arts. At once cheap, expensive, elite, plebeian, high-tech, low-tech, exotic, eccentric, comic, tragic, spiritual, and secular, it has revealed itself to be as fluid as the mud it is made from. Ceramics are the very stuff of how civilized life was, and is, led. This then is the story of human society's most surprising core causes and effects.

Paul Greenhalgh is Director of the Sainsbury Centre and Professor of Art History and Museum Strategy at the University of East Anglia, UK. He was previously Head of Research at the V&A Museum, London, and is the author of books including The Persistence of Craft (2002) and Art Nouveau (2000).

Greenhalgh describes the fluctuating status of pots and potters throughout history in connection with the technical development of ceramic as an industry and the emergence of the artist potter... [He] takes us from ancient Greece to the wilder shores of Conceptual Art, Post-Modernism and Californian Funk... Full of surprises provocative * Jane Rye, The Spectator * Passionately written... At the end of his book, Greenhalgh writes that, 'far more than religion, or war, or academic treatises, skill shaped civilisation'. So true, and there is no better example than ceramics. One closes this compendious history with a breathless feeling: what will potters come up with next? * Glenn Adamson, Apollo * This is an extraordinary accomplishment. It animates the history of world ceramics in a manner that has not been achieved before. It is full of remarkable insight and beautiful details and will reach a huge and appreciative audience. -- Edmund de Waal, artist and writer, UK This is an important book. History has not examined the ceramic consistently. It has not always given the medium of clay credence for the part it has played in art. Greenhalgh puts this to rights. He gives the ceramic its rightful context and underlines its importance, telling its story from around 600 BC to the contemporary. And he tackles fundamentals: examining what ceramic is and how it featured in the Classical world, Middle Ages, Renaissance and on through Modernism to now. * The Arts Society Magazine * Ambitious indeed monumental... Greenhalgh's enthusiasm for his subject is persuasively infectious and the narrative rarely flags over the book's more than 500 pages. The text is enhanced by 409 superb illustrations, intelligently arranged on the page and so captioned to make the reader look, and look again. * Times Literary Supplement * An epic reshaping of ceramic art... an adventure that I am already impatient to revisit. * Shane Enright, Crafts * This comprehensive text on ceramics - and the culture surrounding it - discussed its critical role in civilization over millennia, historical era in ceramic art, and the contemporary role of the potter. * Ceramic Arts 2022 Yearbook, a supplement to Ceramics Monthly and Pottery Making Illustrated * A fresh, eloquent and persuasive polemic that reads like a thriller. * Decorative Arts Society * If you're after some excellent lockdown reading, Paul Greenhalgh's fascinating book could just fit the bill. * ClayCraft * A glorious edition ... The photographs of excellent ceramic examples, the clear historical explanations and the pages of other interesting ceramic related information are enchanting. * London Potters * This is a splendid production, lavishly illustrated with superb images. It is a book to be 'dipped into' for reference, information, or simple fascination ... For art historians and ceramic enthusiasts, this is an outstanding book. * Anglian Potters * This comprehensive text on ceramics--and the culture surrounding it--discusses its critical role in civilization over millennia, historical eras in ceramic art, and the contemporary role of the potter. * Ceramic Arts 2022 Yearbook, a supplement to the US magazines Ceramics Monthly and Pottery Making Illustrated * Fascinating. * Emerging Potters * Greenhalgh's scholarship brings the rapture he feels for ceramics to life in this beautifully written and readable book. It provokes, delights, informs and exposes ceramic's complicity in civilization's birth, moving on to the present with the author's contemporary, witty and ruthlessly critical voice. -- Garth Clark, historian, writer, founder and Editor-in-Chief of the CFile Foundation, USA Not for a long time has there been such a comprehensive account of the history of ceramics. In this book Paul Greenhalgh captures the importance of the material to our human experience. -- Dame Professor Magdalene Odundo OBE, Emerita in Ceramics and Chancellor of the University for the Creative Arts, UK Masterful. Paul Greenhalgh has engaged the epic span of ceramic art history with a maker's hands, shaping it into a magnificent, vibrant form, filled to capacity with the voices of individuals, both unknown and known, who devoted their lives to earth and fire ... Greenhalgh's text is a remarkable container of sophisticated insight. It offers a longed-for coherent structure upon which to build an understanding of ceramic art as it has unfolded across the near immeasurable scope of human civilization. -- Wayne Higby, Professor of Ceramic Art, The Wayne Higby Director and Chief Curator, Alfred Ceramic Art Museum, Alfred University, USA Greenhalgh fills a major gap in the ceramics field where technique most often sets the content. His writing elevates the conversation and takes ceramics beyond its formal history to where it is effectively placed in a cultural context. His curatorial eye adds a perspective on the work not often found in such a survey. Thoroughly researched, expansive in both its timeline and depth, this book is a welcome resource for researchers and serious students of clay, as well as those with a general interest in ceramics. -- Anna Callouri Holcombe, Professor of Ceramics, University of Florida, USA Paul Greenhalgh takes the reader on a multi-faceted voyage exploring the long, complex history of a commonplace material and its intimate connection to human life. From humble to high society, hand or machine, meaning and function, this book is a revelatory celebration of the creativity, invention and skill of individuals and societies producing and using ceramic. -- Helen Walsh, Curator, Centre of Ceramic Art, York Art Gallery, UK Since the earliest of times, across myriad civilisations that have come and gone, ceramics endure. Each sherd tells us of the discipline's discreet history, but also so much more. Ceramics form the fabric of societies and their anthropological connections to individuals and societies paint detailed and intimate pictures. Paul Greenhalgh takes the reader across the centuries citing links and dialogues between the modern and the ancient. To be able to step back and take in the panoply of this vast subject and select appropriate and relevant examples is an affirming indicator of a deep, specialist and eloquent knowledge. There are very few people qualified to take on a task such as this. Greenhalgh is one of a few and probably the best equipped to do so. -- Ashley Howard, Senior Lecturer in Ceramics, University for the Creative Arts, UK