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New Monologues for Women

Paperback / softback

Main Details

Title New Monologues for Women
Authors and Contributors      Edited by Geoffrey Colman
SeriesAudition Speeches
Physical Properties
Format:Paperback / softback
Pages:120
Dimensions(mm): Height 216,Width 138
Category/GenreActing techniques
Plays, playscripts
ISBN/Barcode 9781472573513
ClassificationsDewey:808.8245089287
Audience
Professional & Vocational
Tertiary Education (US: College)

Publishing Details

Publisher Bloomsbury Publishing PLC
Imprint Methuen Drama
Publication Date 30 June 2016
Publication Country United Kingdom

Description

New Monologues for Women features forty monologues from plays published by Bloomsbury Methuen Drama recently. The monologues are selected by the editor, Geoffrey Colman, on account of their relevance to drama school students and recent graduates entering the profession. Each monologue is preceded by an introductory paragraph, written by the editor, outlining the setting, character type, and point in the plot. Suggestions are offered for staging, character interpretation, points of significance in the text, and how to draw from decisions made in professional productions. This collection is the go-to resource for the auditioning actor with an insatiable appetite for new, original and excellent material.

Author Biography

Geoffrey Colman is Head of Acting at the Royal Central School of Speech and Drama.

Reviews

This is a strong proposal and I feel that there is a solid market for this collection. It is important that young actors are aware of new writing and that they use new monologue material for their audition pieces. This will prove that they are up-to-date with new plays, emerging writers and trends. The readership will be young actors auditioning for drama schools, professional work and even television or film work. It will be also of interest to playwrights, directors and producers looking for new plays. This collection might also increase the sales of the plays themselves. It has been known that a director may choose a play, simply because the trigger was the main monologue of that work. So, the readership is not limited or focused on the acting profession. * Dr George Rodosthenous, University of Leeds *