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Shakespeare and Cultural Materialist Theory

Paperback / softback

Main Details

Title Shakespeare and Cultural Materialist Theory
Authors and Contributors      By (author) Christopher Marlow
SeriesShakespeare and Theory
Physical Properties
Format:Paperback / softback
Pages:224
Dimensions(mm): Height 198,Width 129
ISBN/Barcode 9781472572936
ClassificationsDewey:822.33
Audience
Undergraduate

Publishing Details

Publisher Bloomsbury Publishing PLC
Imprint The Arden Shakespeare
Publication Date 21 February 2019
Publication Country United Kingdom

Description

Cultural materialism is one of the most important and one of the most provocative theories to have emerged in the last thirty years. Combining close attention to Shakespearean texts and the conditions of their production with an explicit left-wing political affiliation, cultural materialism offers readers a radical avenue through which to engage with Shakespeare and his world. Shakespeare and Cultural Materialist Theory charts the inception and development of this theory, setting out its central tenets and analysing the work of key thinkers such as Alan Sinfield, Jonathan Dollimore, Terence Hawkes and Catherine Belsey. Unlike most literary theories, cultural materialism attempts to use the study of Shakespeare to intervene in the politics of the present day, and its unsettling approach has not passed without objection, both within academia and without. This book considers the debates, scandals and controversies caused by cultural materialism, and by applying it to Shakespeare afresh, demonstrates that the theory is still very much alive and kicking.

Author Biography

Christopher Marlow is Senior Lecturer in English at the University of Lincoln, UK.

Reviews

The strength of this book lies in its clarity - a clarity born of understanding rather than simplification. Marlow "gets" cultural materialism. Add to that the intelligence and generosity of his approach and you have a book exemplary of its kind. -- Jonathan Dollimore, author of 'Desire: A Memoir' (Bloomsbury, 2017)