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Art and Responsibility: A Phenomenology of the Diverging Paths of Rosenzweig and Heidegger
Hardback
Main Details
Title |
Art and Responsibility: A Phenomenology of the Diverging Paths of Rosenzweig and Heidegger
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Authors and Contributors |
By (author) Professor Jules Simon
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Physical Properties |
Format:Hardback | Pages:304 | Dimensions(mm): Height 234,Width 156 |
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Category/Genre | Phenomenology and Existentialism Judaism |
ISBN/Barcode |
9781441109521
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Classifications | Dewey:193 |
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Audience | Postgraduate, Research & Scholarly | |
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Publishing Details |
Publisher |
Continuum Publishing Corporation
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Imprint |
Continuum Publishing Corporation
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Publication Date |
24 March 2011 |
Publication Country |
United States
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Description
Two German philosophers working during the Weimar Republic in Germany, between the two World Wars, produced seminal texts that continue to resonate almost a hundred years later. Franz Rosenzweig-a Jewish philosopher, and Martin Heidegger-a philosopher who at one time was studying to become a Catholic priest, each in their own, particular way include in their writings powerful philosophies of art that, if approached phenomenologically and ethically, provide keys to understanding their radically divergent trajectories, both biographically and for their philosophical heritage. Simon provides a close reading of some of their essential texts-The Star of Redemption for Rosenzweig and Being and Time and The Origin of the Work of Art for Heidegger-in order to draw attention to how their philosophies of art can be understood to provide significant ethical directives.
Author Biography
Jules Simon is Professor of Philosophy and Director of the Center for Science, Technology, Ethics, and Policy at the University of Texas at El Paso, USA. He is the co-editor of The Double Binds of Ethics after the Holocaust: Salvaging the Fragments (2009).
Reviews"Art and Responsibility is a sophisticated exploration of the ethical implications of the aesthetic and the aesthetic implications of the ethical. Simon explores this topic through a phenomenological investigation of the thought of Heidegger and Rosenzweig. Instead of producing an intellectual history of these thinkers, the author seeks to elicit the ethical repercussions of their philosophies of art through careful philological-textual analysis of their dense writings. The juxtaposition of these two seminal German thinkers has engendered a fascinating study that undoubtedly will provoke lively discussion and debate in the years to come." --Elliot R. Wolfson, Abraham Lieberman Professor of Hebrew and Judaic Studies, New York University, USA
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