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British Theatre Companies: 1980-1994: Joint Stock, Gay Sweatshop, Complicite, Forced Entertainment, Women's Theatre Group, Talaw

Hardback

Main Details

Title British Theatre Companies: 1980-1994: Joint Stock, Gay Sweatshop, Complicite, Forced Entertainment, Women's Theatre Group, Talaw
Authors and Contributors      By (author) Graham Saunders
Series edited by Graham Saunders
Series edited by Prof. John Bull
SeriesBritish Theatre Companies: From Fringe to Mainstream
Physical Properties
Format:Hardback
Pages:320
Dimensions(mm): Height 216,Width 138
Category/GenreDrama
ISBN/Barcode 9781408175491
ClassificationsDewey:792.094109048
Audience
Professional & Vocational
Tertiary Education (US: College)

Publishing Details

Publisher Bloomsbury Publishing PLC
Imprint Methuen Drama
Publication Date 26 February 2015
Publication Country United Kingdom

Description

This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980-1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including: * Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum) *Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK) * Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA) * Joint Stock, by Jaqueline Bolton (University of Lincoln, UK) * Theatre de Complicite, by Michael Fry * Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)

Author Biography

Graham Saunders is Reader in Theatre Studies at the University of Reading. He has written extensively on contemporary British theatre, including three volumes on the work of Sarah Kane, is the author of Patrick Marber's Closer (Continuum/Bloomsbury, 2008) and co-editor of Cool Britannia: Political Theatre in the 1990s (Palgrave, 2008).

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