Classical Antiquity in Heavy Metal Music

Description

This book demonstrates the rich and varied ways in which heavy metal music draws on the ancient Greek and Roman world. Contributors examine bands from across the globe, including: Blind Guardian (Germany), Therion (Sweden), Celtic Frost, Eluveitie (Switzerland), Ex Deo (Canada/Italy), Heimdall, Stormlord, Ade (Italy), Kawir (Greece), Theatre of Tragedy (Norway), Iron Maiden, Bal-Sagoth (UK), and Nile (US). These and other bands are shown to draw inspiration from Classical literature and mythology such as the Homeric Hymns, Vergil's Aeneid, and Caesar's Gallic Wars, historical figures from Rome and ancient Egypt, and even pagan and occult aspects of antiquity. These bands' engagements with Classical antiquity also speak to contemporary issues of nationalism, identity, sexuality, gender, and globalization. The contributors show how the genre of heavy metal brings its own perspectives to Classical reception, and demonstrate that this music-often dismissed as lowbrow-engages in sophisticated dialogue with ancient texts, myths, and historical figures. The authors reveal aspects of Classics' continued appeal while also arguing that the engagement with myth and history is a defining characteristic of heavy metal music, especially in countries that were once part of the Roman Empire.

K. F. B. Fletcher is Associate Professor of Classics at Louisiana State University, USA. Osman Umurhan is Associate Professor of Classics at the University of New Mexico, USA.

[The] first attempt to break new ground by marrying Classics with metal music studies in an edited volume. * Bryn Mawr Classical Review * A well-researched, academic yet engaging and thoughtful volume. * Scene Point Blank * The way in which the topic has been approached has the advantage of making the content accessible to academics from various disciplines and subject areas and non-academics, including metal fans, with or without a background in classical literature ... A welcome contribution to a number of fields including classical studies, reception studies, popular musicology and metal music studies. * The Classical Review * Tackles an array of complex contemporary issues. * History Today * Rich and stimulating ... The book should be hailed as a significant contribution to the study of the reception of antiquity in pop culture. * Anabases (trans. by Bloomsbury Academic) * A stimulating anthology ... the inspiring articles are worth reading in many respects. One can rather hope that further volumes of this kind will follow. * Thersites (Bloomsbury translation) *