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Performing Arousal: Precarious Bodies and Frames of Representation
Hardback
Main Details
Title |
Performing Arousal: Precarious Bodies and Frames of Representation
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Authors and Contributors |
Edited by Professor Julia Listengarten
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Edited by Yana Meerzon
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Series | Methuen Drama Engage |
Physical Properties |
Format:Hardback | Pages:272 | Dimensions(mm): Height 216,Width 138 |
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Category/Genre | Performance art Drama |
ISBN/Barcode |
9781350155633
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Classifications | Dewey:709.040755 |
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Audience | Tertiary Education (US: College) | |
Illustrations |
5 bw illus; 5 bw illus
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Publishing Details |
Publisher |
Bloomsbury Publishing PLC
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Imprint |
Methuen Drama
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Publication Date |
16 December 2021 |
Publication Country |
United Kingdom
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Description
This book considers arousal as a mode of theoretical and artistic inquiry to encourage new ways of staging and examining bodies in performance across artistic disciplines, modern history, and cultural contexts. Looking at traditional drama and theatre, but also visual arts, performance activism, and arts-based community engagement, this collection draws on the complicated relationship between arousing images and the frames of their representability to address what constitutes arousal in a variety of connotations. It examines arousal as a project of social, scientific, cultural, and artistic experimentation, and discusses how our perception of arousal has transformed over the last century. Probing "what arouses" in relation to the ethics of representation, the book investigates the connections between arousal and pleasures of voyeurism, underscores the political impact of aroused bodies, and explores how arousal can turn the body into a mediated object.
Author Biography
Julia Listengarten is Professor of Theatre, Artistic Director and Director of Graduate Studies at University of Central Florida. She has written on avant-garde and contemporary theatre, theory and practice of performer training, scenographic practices and performances of national identity. Yana Meerzon teaches at the Department of Theatre, University of Ottawa. Her research interests are in drama and performance theory, theatre of exile and migration, and cultural and interdisciplinary studies.
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