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Convent Music and Politics in Eighteenth-Century Vienna

Paperback / softback

Main Details

Title Convent Music and Politics in Eighteenth-Century Vienna
Authors and Contributors      By (author) Janet K. Page
Physical Properties
Format:Paperback / softback
Pages:320
Dimensions(mm): Height 243,Width 170
Category/GenreBaroque music (c 1600 to c 1750)
Classical music (c 1750 to c 1830)
Sacred and religious
Church history
ISBN/Barcode 9781316642887
ClassificationsDewey:780.94361309033
Audience
Professional & Vocational
Illustrations Worked examples or Exercises; 68 Printed music items; 3 Tables, black and white; 15 Halftones, unspecified; 15 Halftones, black and white; 2 Line drawings, black and white

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 16 March 2017
Publication Country United Kingdom

Description

Janet K. Page explores the interaction of music and piety, court and church, as seen through the relationship between the Habsburg court and Vienna's convents. For a period of some twenty-five years, encompassing the end of the reign of Emperor Leopold I and that of his elder son, Joseph I, the court's emphasis on piety and music meshed perfectly with the musical practices of Viennese convents. This mutually beneficial association disintegrated during the eighteenth century, and the changing relationship of court and convents reveals something of the complex connections among the Habsburg court, the Roman Catholic Church, and Viennese society. Identifying and discussing many musical works performed in convents, including oratorios, plays with music, feste teatrali, sepolcri, and other church music, Page reveals a golden age of convent music in Vienna and sheds light on the convents' surprising engagement with contemporary politics.

Author Biography

Janet K. Page is Professor of Musicology at the Rudi E. Scheidt School of Music at the University of Memphis. Her research explores musical life in seventeenth- and eighteenth-century Vienna, performance practice, women and music, and wind instruments and music. Her publications include an edition of the oboe concertos of C. P. E. Bach for the new Complete Works edition, and articles, reviews and reports in Early Music, The Journal of Seventeenth-Century Music, and Eighteenth-Century Music.

Reviews

'Convent Music and Politics is a valuable contribution to the literature on nuns and music. It intersects with the work of other scholars in the field but also offers a unique perspective on convent music at a particular time and in a particular place. As Monson noted in an important 2002 article on the Council of Trent (Journal of the American Musicological Society, 55), most decisions about musical practice during the Counter-Reformation, including those affecting performance in nunneries, were left up to local authorities. Janet Page's attractive and wellwritten monograph illustrates that point well.' Colleen Reardon, Music and Letters