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Why Don't You Write My Eulogy Now So I Can Correct It?: A Mother's Suggestions

Hardback

Main Details

Title Why Don't You Write My Eulogy Now So I Can Correct It?: A Mother's Suggestions
Authors and Contributors      By (author) Patricia Marx
Illustrated by Roz Chast
Physical Properties
Format:Hardback
Pages:112
Dimensions(mm): Height 188,Width 132
Category/GenreFamily and relationships
Parenting
Humour
ISBN/Barcode 9781250301963
ClassificationsDewey:818.602
Audience
General
Illustrations Includes printed color endpapers and 80 colored illustrations throughout; Includes printed color endpapers and 80 colored illustrations throughout

Publishing Details

Publisher St Martin's Press
Imprint St Martin's Press
Publication Date 2 April 2019
Publication Country United States

Description

Every mother knows best, but New Yorker writer Patty Marx's knows better. Patty has never been able to shake her mother's one-line witticisms from her brain, so she's collected them into a book, accompanied by full color illustrations by New Yorker staff cartoonist Roz Chast. These snappy maternal cautions include: If you feel guilty about throwing away leftovers, put them in the back of your refrigerator for five days and then throw them out. If you run out of food at your dinner party, the world will end. When traveling, call the hotel from the airport to say there aren't enough towels in your room and, by the way, you'd like a room with a better view. Why don't you write my eulogy now so I can correct it? Every child will want to buy this for mom on Mother's Day!

Author Biography

Patricia Marx has been contributing to The New Yorker since 1989. She is a former writer for "Saturday Night Live" and "Rugrats," and is the author of several books. Marx was the first woman elected to the Harvard Lampoon. She has taught screenwriting and humor writing at Princeton, New York University, and Stonybrook University. She was the recipient of a 2015 Guggenheim Fellowship. Roz Chast has loved to draw cartoons since she was a child growing up in Brooklyn. She attended Rhode Island School of Design, majoring in Painting because it seemed more artistic. However, soon after graduating, she reverted to type and began drawing cartoons once again.