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The Other Worlds of Hector Berlioz: Travels with the Orchestra
Paperback / softback
Main Details
Title |
The Other Worlds of Hector Berlioz: Travels with the Orchestra
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Authors and Contributors |
By (author) Inge van Rij
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Physical Properties |
Format:Paperback / softback | Pages:369 | Dimensions(mm): Height 170,Width 245 |
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Category/Genre | Romantic music (c 1830 to c 1900) Bands, groups and musicians |
ISBN/Barcode |
9781108814010
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Classifications | Dewey:780.92 |
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Audience | Professional & Vocational | |
Illustrations |
Worked examples or Exercises; 77 Printed music items; 4 Tables, black and white; 8 Halftones, unspecified; 8 Halftones, black and white
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Publishing Details |
Publisher |
Cambridge University Press
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Imprint |
Cambridge University Press
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Publication Date |
2 April 2020 |
Publication Country |
United Kingdom
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Description
Berlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The settings for his musical works are more conservative, and his adventurousness has instead been located in his mastery of the orchestra, as both orchestrator and conductor. Inge van Rij's book takes a new approach to Berlioz's treatment of the orchestra by exploring the relationship between these two forms of control - the orchestra as abstract sound, and the orchestra as collective labour and instrumental technology. Van Rij reveals that the negotiation between worlds characteristic of Berlioz's writings also plays out in his music: orchestral technology may be concealed or ostentatiously displayed; musical instruments might be industrialised or exoticised; and the orchestral musicians themselves move between being a society of distinctive individuals and being a machine played by Berlioz himself.
Author Biography
Inge van Rij is a Senior Lecturer in Musicology at the New Zealand School of Music. Her first book, Brahms's Song Collections, was published by Cambridge University Press in 2006, having received substantial funding from a Marsden Grant from the Royal Society of New Zealand. She is a regular presenter at international conferences, including both the American Musicological Society and the Society for Ethnomusicology.
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