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Hell in the Byzantine World 2 Volume Hardback Set: A History of Art and Religion in Venetian Crete and the Eastern Mediterranean

Hardback

Main Details

Title Hell in the Byzantine World 2 Volume Hardback Set: A History of Art and Religion in Venetian Crete and the Eastern Mediterranean
Authors and Contributors      Edited by Angeliki Lymberopoulou
Physical Properties
Format:Hardback
Pages:936
Dimensions(mm): Height 255,Width 178
Category/GenreByzantine and medieval art c 500 CE to c 1400
Religious subjects depicted in art
History of religion
ISBN/Barcode 9781108690706
ClassificationsDewey:709.0214
Audience
Professional & Vocational
Illustrations Worked examples or Exercises; 7 Maps; 137 Halftones, color; 103 Halftones, black and white; 16 Line drawings, black and white

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 17 September 2020
Publication Country United Kingdom

Description

The imagery of Hell, the Christian account of the permanent destinations of the human soul after death, has fascinated people over the centuries since the emergence of the Christian faith. These landmark volumes provide the first large-scale investigation of this imagery found across the Byzantine and post-Byzantine world. Particular emphasis is placed on images from churches across Venetian Crete, which are comprehensively collected and published for the first time. Crete was at the centre of artistic production in the late Byzantine world and beyond and its imagery was highly influential on traditions in other regions. The Cretan examples accompany rich comparative material from the wider Mediterranean - Cappadocia, Macedonia, the Peloponnese and Cyprus. The large amount of data presented in this publication highlight Hell's emergence in monumental painting not as a concrete array of images, but as a diversified mirroring of social perceptions of sin.

Author Biography

ANGELIKI LYMBEROPOULOU is Senior Lecturer in Art History at The Open University. She is the editor, with Rembrandt Duits, of Byzantine Art and Renaissance Europe (2013) and of Cross-Cultural Interaction between Byzantium and the West 1204-1669. Whose Mediterranean is it Anyway? (2018).