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Surrealism

Hardback

Main Details

Title Surrealism
Authors and Contributors      Edited by Natalya Lusty
SeriesCambridge Critical Concepts
Physical Properties
Format:Hardback
Pages:350
Dimensions(mm): Height 234,Width 158
Category/GenreArt and design styles - Surrealism and Dada
Literary theory
Literary studies - from c 1900 -
ISBN/Barcode 9781108495684
ClassificationsDewey:700.41163
Audience
Postgraduate, Research & Scholarly
Illustrations Worked examples or Exercises

Publishing Details

Publisher Cambridge University Press
Imprint Cambridge University Press
Publication Date 12 August 2021
Publication Country United Kingdom

Description

This book examines the salient ideas and practices that have shaped Surrealism as a protean intellectual and cultural concept that fundamentally shifted our understanding of the nexus between art, culture, and politics. By bringing a diverse set of artistic forms and practices such as literature, manifestos, collage, photography, film, fashion, display, and collecting into conversation with newly emerging intellectual traditions (ethnography, modern science, anthropology, and psychoanalysis), the essays in this volume reveal Surrealism's enduring influence on contemporary thought and culture alongside its anti-colonial political position and international reach. Surrealism's fascination with novel forms of cultural production and experimental methods contributed to its conceptual malleability and temporal durability, making it one of the most significant avant-garde movements of the twentieth century. The book traces how Surrealism's urgent political and aesthetic provocations have bequeathed an important legacy for recent scholarly interest in thing theory, critical vitalism, new materialism, ontology, and animal/human studies.

Author Biography

Natalya Lusty is Professor of Cultural Studies at the University of Melbourne and an ARC Future Fellow. She is the author of Surrealism, Feminism, Psychoanalysis (2017), co-editor of Modernism and Masculinity (2014) and Photography and Ontology: Unsettling Images (2019), and on the editorial collective for the International Journal of Surrealism.