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The Cambridge Companion to International Theatre Festivals
Paperback / softback
Main Details
Title |
The Cambridge Companion to International Theatre Festivals
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Authors and Contributors |
Edited by Ric Knowles
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Series | Cambridge Companions to Theatre and Performance |
Physical Properties |
Format:Paperback / softback | Pages:320 | Dimensions(mm): Height 227,Width 152 |
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Category/Genre | Drama |
ISBN/Barcode |
9781108442398
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Classifications | Dewey:790.2 |
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Audience | Tertiary Education (US: College) | Professional & Vocational | |
Illustrations |
Worked examples or Exercises
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Publishing Details |
Publisher |
Cambridge University Press
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Imprint |
Cambridge University Press
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Publication Date |
11 June 2020 |
Publication Country |
United Kingdom
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Description
The global rise of festival culture and experience has taken over that which used to merely be events. The Cambridge Companion to International Theatre Festivals provides an up-to-date, contextualized account of the worldwide reach and impact of the 'festivalization' of culture. It introduces new methodologies for the study of the global network of theatre production using digital humanities, raises questions about how alternative origin stories might impact the study of festivals, investigates the festivalized production of space in the world's 'Festival Cities', and re-examines the social role and cultural work of twenty-first-century theatre, performance, and multi-arts festivals. With chapters on festivals in Africa, Asia, Australia, the Arab world, the francophone world, Europe, North America, and Latin America it analyses festivals as sites of intercultural negotiation and exchange.
Author Biography
Ric Knowles is a Fellow of the Royal Society of Canada and recipient of a Lifetime achievement award from the Canadian Association for Theatre Research. He is former editor of Theatre Journal, Modern Drama, and Canadian Theatre Review, and an award-winning author or editor of twenty books on drama and theatre.
Reviews'... a well-researched and well written Companion that provides a necessary overview of the current landscape of international performing arts festivals within an engaged critical conversation.' Azadeh Sharifi, Performance Research
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