The Gunman (Movie Tie-In Edition)

Description

The Gunman, originally published as The Prone Gunman, is a motion picture starring Sean Penn. This is the official movie tie-in edition. The film also stars Javier Bardem, Idris Elba and Ray Winstone, and is directed by Pierre Morel (Taken). About The Gunman: Terrier is a hired killer who wants out of the game, so he can settle down and marry his childhood sweetheart. But the Organization won't let him go: they have other plans for him. In a violent tale that shatters as many illusions as bodies, Jean-Patrick Manchette subjects his characters and the reader alike to a fierce exercise in style. This tightly plotted, corrosive parody of "the success story" is widely considered to be Manchette's masterpiece, and was named a New York Times "Notable Book" in 2002. The Gunman is a classic of modern noir. Also available in its original edition titled The Prone Gunman, along with Manchette's Three to Kill, published by City Lights in 2002. "For Manchette and the generation of writers who followed him, the crime novel is no mere entertainment, but a means to strip bare the failures of society, ripping through veils of appearance, deceit, and manipulation to the greed and violence that are the society's true engines."-Boston Globe "There's not a superfluous word or overdone effect . . . one of the last cool, compact and shockingly original crime novels Manchette left as his legacy to modern noir fiction."-New York Times Jean-Patrick Manchette was a French crime novelist credited with reinventing and reinvigorating the genre. He wrote ten short novels in the 1970s and early 80s, and is widely recognized as the foremost French crime fiction author of that time. His stories are violent, existentialist explorations of the human condition and French society. Jazz saxophonist and screenwriter, Manchette was also a left-wing activist influenced as much by the writings of the Situationist International as by Dashiell Hammett.

Jean-Patrick Manchette (December 19, 1942, Marseille June 3, 1995, Paris) was a French crime novelist credited with reinventing and reinvigorating the genre. He wrote ten short novels in the 1970s and early 80s, and is widely recognized as the foremost French crime fiction author of that time. His stories are violent, existentialist explorations of the human condition and French society. Jazz saxophonist and screenwriter, Manchette was also a left-wing activist influenced as much by the writings of the Situationist International as by Dashiell Hammett. Four of his novels have been translated into English. Two were published by City Lights Books: Three To Kill and The Prone Gunman. which is also available in a movie-tie in edition titled, The Gunman.

"For Manchette and the generation of writers who followed him, the crime novel is no mere entertainment, but a means to strip bare the failures of society, ripping through veils of appearance, deceit, and manipulation to the greed and violence that are the society's true engines."--Boston Globe "There's not a superfluous word or overdone effect . . . one of the last cool, compact and shockingly original crime novels Manchette left as his legacy to modern noir fiction."--New York Times Book Review "This is lean, mean noir fiction that cleverly sends up the tough guy genre while incarnating it perfectly."--Detroit Free Press "Jean-Patrick Manchette's terse prose moves like the swift, almost automatic methods and mannerisms of his protagonist."--The Wall Street Journal "Terse behaviorist prose . . . drives the narrative relentlessly and even gleefully forward. . . . For the first time, readers can experience in English translation the masterful thriller considered Manchette's finest, proof positive that the French knew what they were talking about when they labeled this sort of novel 'noir'."--Publishers Weekly "Manchette is a master of both economy and irony. Brutal and bracing: Terrier's tale fascinates even as it chills."--Kirkus Reviews "For Manchette and the generation of writers who followed him, the crime novel is no mere entertainment, but a means to strip bare the failures of society, ripping through veils of appearance, deceit, and manipulation to the greed and violence that are the society's true engines."--Boston Globe "There's not a superfluous word or overdone effect . . . one of the last cool, compact and shockingly original crime novels Manchette left as his legacy to modern noir fiction."--New York Times Book Review "This is lean, mean noir fiction that cleverly sends up the tough guy genre while incarnating it perfectly."--Detroit Free Press "Jean-Patrick Manchette's terse prose moves like the swift, almost automatic methods and mannerisms of his protagonist."--The Wall Street Journal "Terse behaviorist prose . . . drives the narrative relentlessly and even gleefully forward. . . . For the first time, readers can experience in English translation the masterful thriller considered Manchette's finest, proof positive that the French knew what they were talking about when they labeled this sort of novel 'noir'."--Publishers Weekly "Manchette is a master of both economy and irony. Brutal and bracing: Terrier's tale fascinates even as it chills."--Kirkus Reviews