Amaravati: The Art of an Early Buddhist Monument in Context

Description

Buddhism originated in north India and spread to other parts of the subcontinent in the third century BCE. The Andhra region, located along the south-east coast of India, welcomed Buddhism and a stupa, probably built to house a relic of the Buddha from the north, was constructed at Amaravati. From 200 BCE, the stupa was enlarged and substantially embellished over several centuries, making it one of the most important Buddhist monuments in India. However, the stupa fell into decline from the 14th century and it was re-discovered and excavated only in the 19th century. In 1880 more than 120 of the Amaravati sculptures entered the collection of the British Museum, with other pieces eventually finding their way to museums in India, Europe and America. The papers in this book emerged from a conference at the British Museum held in September 2014 that brought together leading specialists from around the world to address aspects of Amaravati and its sculpture. Subjects covered in this volume include the rediscovery of the stupa at the end of the 18th century as well as its recreation in the 21st century. The art of Amaravati is also placed in the context of other sites and remains from the Andhra region which, despite its importance, has been relatively neglected in the study of the religious and visual cultures of South Asia.

Akira Shimada is Associate Professor of Ancient India at State University of New York at New Paltz. He has authored a number of books and articles on Amaravati and Buddhist material culture of early India, including his 2013 publication Early Buddhist Architecture in Context: The Great Stupa at Amaravati (ca. 300 BCE-300 CE). Michael Willis is leading Beyond Boundaries: Religion, Region, Language and the State, a project funded by the European Research Council (ERC) that is based in the British Museum, the British Library and the School of Oriental and African Studies. He is the author of The Archaeology of Hindu Ritual: Temples and the Establishment of the Gods (Cambridge, 2009) and a number of other books on Indian art, archaeology and history.