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Spaces Of Their Own: Women's Public Sphere in Transnational China

Paperback / softback

Main Details

Title Spaces Of Their Own: Women's Public Sphere in Transnational China
Authors and Contributors      By (author) Mayfair Mei-Hui Yang
SeriesPublic Worlds
Physical Properties
Format:Paperback / softback
Pages:336
Dimensions(mm): Height 229,Width 149
ISBN/Barcode 9780816631469
ClassificationsDewey:305.420951
Audience
Postgraduate, Research & Scholarly
General
Undergraduate

Publishing Details

Publisher University of Minnesota Press
Imprint University of Minnesota Press
Publication Date 1 February 1999
Publication Country United States

Description

How are the public and political lives of Chinese women constrained by states and economies? And how have pockets of women's consciousness come to be produced in and disseminated from this traditionally masculine milieu? The essays in this volume examine the possibilities for a public sphere for Chinese women, one that would both emerge from concrete historical situations and local contexts and cut across the political boundaries separating the Mainland, Taiwan, Hong Kong, and the West.The challenges of this project are taken up in essays on the legacy of state feminism on the Mainland as contrasted with a grassroots women's movement challenging the state in Taiwan; on the role of the capitalist consumer economy in the emerging lesbian movement in Taiwan; and on the increased trafficking of women as brides, prostitutes, and mistresses between the Mainland and wealthy male patrons in Taiwan and Hong Kong. The writers' examples of masculine domination in the media include the reformulation of Chinese women in Fifth Generation films for a transnational Western male film audience and the portrayal of Mainland women in Taiwanese and Hong Kong media. The contributors also consider male nationalism as it is revealed through both international sports coverage on television and in a Chinese television drama. Other works examine a women's museum, a telephone hotline in Beijing, the films of Hong Kong filmmaker Ann Hui, the transnational contacts of a Taiwanese feminist organization, the diaspora of Mainland women writers, and the differences between Chinese and Western feminist themes.