To view prices and purchase online, please login or create an account now.



Beyond the Spanish Tragedy: A Study of the Works of Thomas Kyd

Paperback / softback

Main Details

Title Beyond the Spanish Tragedy: A Study of the Works of Thomas Kyd
Authors and Contributors      By (author) Lukas Erne
SeriesRevels Plays Companion Library
Physical Properties
Format:Paperback / softback
Pages:272
Dimensions(mm): Height 216,Width 138
Category/GenreLiterary studies - c 1500 to c 1800
Literary studies - plays and playwrights
ISBN/Barcode 9780719079498
ClassificationsDewey:822.3
Audience
Undergraduate
Postgraduate, Research & Scholarly
Illustrations Illustrations, black & white

Publishing Details

Publisher Manchester University Press
Imprint Manchester University Press
Publication Date 1 February 2009
Publication Country United Kingdom

Description

Kyd is arguably Shakespeare's most important tragic predecessor. Brilliantly fusing the drama of the academic and popular traditions, Thomas Kyd's plays are of central importance for understanding how the drama of Shakespeare and his contemporaries came about. Called 'an extraordinary dramatic . genius' by T.S. Eliot, Thomas Kyd invented the revenge tragedy genre that culminated in Shakespeare's Hamlet some twelve years later. In this study, The Spanish Tragedy - the most popular of all plays on the English Renaissance stage - receives the extensive scholarly and critical treatment it deserves, including a full reception and modern stage history. Yet as Erne shows, Thomas Kyd is much more than the author of a single masterpiece. Don Horatio (partly extant in The First Part of Hieronimo), the lost early Hamlet, Soliman and Perseda, and Cornelia all belong to what emerges in this work as a coherent dramatic oeuvre. This groundbreaking study is now in paperback. -- .

Author Biography

Lukas Erne is Professor of English in the Departement d'anglais, Universite de Geneve -- .

Reviews

'Lukas Erne's study of Kyd is remarkable: it engages straightforwardly with this immensely important playwright and presents a great deal that is substantially original and of real significance. Serious students of English Renaissance drama will certainly find this book indispensable, and as an added bonus, it is a pleasure to read.'Professor Brian Gibbons, General Editor of the New Mermaids