Critically engages with the visual appearance of prose fiction where it is manipulated by authors; Reappraises the range of effects that can be created by graphic devices, and explores why literary criticism has dismissed such features; Examines problematical texts to demonstrate that an awareness of the graphic surface can make significant contributions to interpretation; Includes substantial extended readings of key works by four significant authors; Identifies and analyses the weaknesses of previous criticism and attempts to fully account for the use of the graphic surface with new interpretations of the novels
Author Biography
Glyn White is a Lecturer in Twentieth Century Literature and Culture at the University of Salford
