Featuring reseach into the experience of British women who have admired her in the 1950s, 1960s and the 1990s, this is a study of Audrey Hepburn's star persona and films. It examines the historical specificity of discourses of feminity circulating around Hepburn and her female fans, suggesting that the flexibility of Hepburn's image has contributed to her enduring appeal. It also argues that class and gender are significant factors in the relatonship between stars and audiences.
Author Biography
Dr Rachel Moseley is Lecturer in Film and Television Studies at University of Warwick
