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'Love Me or Kill Me': Sarah Kane and the Theatre of Extremes

Paperback / softback

Main Details

Title 'Love Me or Kill Me': Sarah Kane and the Theatre of Extremes
Authors and Contributors      By (author) Graham Saunders
Index by Kim Latham
SeriesTheatre: Theory - Practice - Performance
Physical Properties
Format:Paperback / softback
Pages:224
Dimensions(mm): Height 216,Width 138
Category/GenreBiographies and autobiography
Literary studies - from c 1900 -
Literary studies - plays and playwrights
ISBN/Barcode 9780719059568
ClassificationsDewey:822.914
Audience
Undergraduate
Postgraduate, Research & Scholarly
Professional & Vocational
General
Illustrations Illustrations, black & white

Publishing Details

Publisher Manchester University Press
Imprint Manchester University Press
Publication Date 25 April 2002
Publication Country United Kingdom

Description

Her play, "Blasted", brought Sarah Kane to the theatre pages of the broadsheets, the front pages of the tabloids, and to the notice of the nation. Based on conversations with directors, actors and others who knew her, this book studies the British post-war dramatist, covering all Kane's major plays and productions, as well as hitherto unpublished material and reviews. It also looks at her continuing influence after her tragic early death. Locating the main dramatic sources and features of her work as well as centralizing her place within the "new wave" of emergent British dramatists in the 1990s, Graham Saunders provides an introduction for those familiar and unfamiliar with her work.

Author Biography

Graham Saunders is a lecturer in Theatre Studies at Coventry University

Reviews

'This is a pioneering book that will have a marked influence of all subsequent Sarah Kane studies. Graham Saunders has spoken to directors, actors and others who worked with her and knew her intimately. You can hear the rustle of draft scripts, feet in rehearsal rooms, the coffee cups of students discussing late into the night. It is astonishing to read such intimate accounts of a woman who became a public icon in her short life... This is not a sycophantic book, its judgements are balanced - and that makes us realise all the more what we have lost. It was one little death, but theatre will need a crowd of brilliant writers to take her place - if even then.' Edward Bond