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Harland Miller: In Shadows I Boogie

Hardback

Main Details

Title Harland Miller: In Shadows I Boogie
Authors and Contributors      By (author) Michael Bracewell
By (author) Martin Herbert
By (author) Catherine Ince
Physical Properties
Format:Hardback
Pages:266
Dimensions(mm): Height 320,Width 230
Category/GenreArt and design styles - from c 1900 to now
Painting and paintings
Individual artists and art monographs
ISBN/Barcode 9780714875583
ClassificationsDewey:709.2
Audience
General

Publishing Details

Publisher Phaidon Press Ltd
Imprint Phaidon Press Ltd
Publication Date 13 May 2019
Publication Country United Kingdom

Description

Harland Miller's creativity as both artist and novelist culminates in his iconic paintings of battered book covers with cleverly invented titles. Initially appropriating the classic Penguin paperback before devising his own unique designs, Miller combines aspects of pop art, abstraction, and figurative painting to create highly coveted artworks that have won him a cult following. This monograph covers nearly 20 years of his paintings, and features newly commissioned essays by eminent art writers exploring different aspects of his practice.

Author Biography

Yorkshire-born Harland Miller has exhibited at ICA, White Cube, and Royal Academy in London; BALTIC Centre for Contemporary Art, Gateshead; and Kunsthalle, Mannheim, and Blain Southern, Berlin. Michael Bracewell is a British novelist, critic, curator, and cultural commentator. Martin Herbert is a Berlin-based writer and critic. Catherine Ince is senior curator for V&A East, and was previously curator at the Barbican, London.

Reviews

"Featuring essays from arts writers Michael Bracewell and Martin Herbert, and curator Catherine Ince, this book delves into Miller's creative process. It traces his artistic influences, locating his work within the context of abstract expressionism and modern design. It also includes photographs and personal items from Miller's archive."-The Arts Society magazine "Harland Miller's playful paintings are the subject of a new monograph... The monograph [is] a splashy testament to Miller's staying power... Miller is a consummate and sincere storyteller... The exhibition in Asia enables Miller once more to meditate on the interplay between textural forms and the materiality of paint."-Financial Times