Into That Darkness: From Mercy Killing to Mass Murder

Description

Only four men commanded Nazi extermination (as opposed to concentration) camps. Franz Stangl was one of them; he commanded Treblinka and was found guilty of co-responsibility for the slaughter there of at least 900,000 people. Aiming to discover how human beings were turned into instruments of such overwhelming evil, Gitta Sereny investigates Stangl's mind, and the influences which shaped him. Having talked to him for weeks and conducted months of research, she portrays the man as he saw himself and as he was seen by others, including his wife.

Gitta Sereny is of Hungarian-Austrian extraction and is trilingual in English, French and German. During the Second World War she became a social worker, caring for war-damaged children in France. She gave hundreds of lectures in schools and colleges in America and, when the war ended, she worked as a Child Welfare Officer in UNRRA displaced persons' camps in Germany. In 1949 she married the American Vogue photographer Don Honeyman and settled in London, where they brought up a son and a daughter and where she began her career as a journalist. Her journalistic work was of great variety but focussed particularly on the Third Reich and troubled children. She wrote mainly for the Daily Telegraph Magazine, the Sunday Times, The Times, the Independent and the Independent on Sunday Review. She also contributed to numerous newspapers and magazines around the world. Her books include: The Medallion, a novel; The Invisible Children, on child prostitution; Into That Darkness; and a biographical examination of Albert Speer. Gitta Sereny died in June 2012.

An epic examination of a Nazi war criminal * Guardian * The most gripping and illuminating account of Nazi genocide that I have read, shedding light, as she intended, on "a whole dimension of reactions and behaviour we have never yet understood" -- Stephen Vizinczey * Sunday Telegraph * She takes us sharply and deeply into the hierarchy of the death camps; the methods used; the experiences of the very few survivors, both inmates and guards -- Philip Toynbee * Observer * It is no exaggeration to call it a masterpiece -- Michael Hilton * Daily Telegraph *