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On Empson
Hardback
Main Details
Title |
On Empson
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Authors and Contributors |
By (author) Michael Wood
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Series | Writers on Writers |
Physical Properties |
Format:Hardback | Pages:224 | Dimensions(mm): Height 178,Width 114 |
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Category/Genre | Literary studies - from c 1900 - Literary studies - poetry and poets |
ISBN/Barcode |
9780691163765
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Classifications | Dewey:801.95092 |
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Audience | General | Tertiary Education (US: College) | |
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Publishing Details |
Publisher |
Princeton University Press
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Imprint |
Princeton University Press
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Publication Date |
4 April 2017 |
Publication Country |
United States
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Description
From one of today's most distinguished critics, a beautifully written exploration of one of the twentieth century's most important literary critics Are literary critics writers? As Michael Wood says, "Not all critics are writers--perhaps most of them are not--and some of them are better when they don't try to be." The British critic and poet Willi
Author Biography
Michael Wood is professor emeritus of comparative literature at Princeton University and the author of many books, including Yeats and Violence, Alfred Hitchcock: The Man Who Knew Too Much, and The Magician's Doubts: Nabokov and the Risks of Fiction (Princeton). He is a regular contributor to the New York Review of Books and the London Review of Books. He lives in Princeton.
Reviews"A brilliant introduction to one of the most original and beguiling intellects of the 20th century."--Michael Dirda, Washington Post "An elegant and concise study of the great British literary critic William Empson (1906-1984)... If we come away with one thing from On Empson, it is the reminder, in the age of STEM courses, of just how much poetry matters--matters not on ethical or political grounds but simply for its own sake, for its exposure of the possibilities of the language that we use every waking moment of every day without taking into account its astonishing possibilities for knowledge, power, and, especially, pleasure."--Marjorie Perloff, Weekly Standard "Part of the dexterity of Wood's own critical idiom lies in using the resources of the colloquial register to say just enough, leaving us to complete and digest the thought. His stylish brevity avoids the dogmatising implicit in all attempts to turn an observation into a theory ... Wood even manages to make Milton's God (1961), Empson's grumpiest, most obsessive book, seem attractive ... An appropriately subtle yet spirited introduction to the seductive power of a particular form of literary criticism."--Stefan Collini, The Guardian
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