Jean-Luc Godard is one the most influential filmmakers of the last fifty years. Scorsese, Tarantino, Wong Kar-Wai and Lars von Trier are but a few of the directors who have fallen under the spell of his freewheeling style. In his 1960s heyday Godard - always in dark shades, cigarette in hand - epitomised European cool. But he subsequently grew into one of the most formidable artists the cinema has produced. Writer and film-maker Richard Brody, one of the few to have interviewed Godard in his Swiss retreat, here offers an accessible account of this extraordinary and fascinating artist.
Author Biography
Richard Brody, a film critic and editor at The New Yorker, is also an independent filmmaker who lives in New York City. Everything Is Cinema is his first book.
