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The Amulet of Samarkand
Paperback / softback
Main Details
Title |
The Amulet of Samarkand
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Authors and Contributors |
By (author) Jonathan Stroud
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Series | The Bartimaeus Sequence |
Physical Properties |
Format:Paperback / softback | Pages:496 | Dimensions(mm): Height 198,Width 129 |
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ISBN/Barcode |
9780552562799
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Classifications | Dewey:823.914 |
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Audience | |
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Publishing Details |
Publisher |
Penguin Random House Children's UK
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Imprint |
Corgi Childrens
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NZ Release Date |
4 April 2023 |
Publication Country |
United Kingdom
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Description
The first volume in the epic, bestselling Bartimaeus sequence. The first volume in the brilliant, bestselling Bartimaeus sequence. When the 5,000-year-old djinni Bartimaeus is summoned by Nathaniel, a young magician's apprentice, he expects to have to do nothing more taxing than a little levitation or a few simple illusions. But Nathaniel is a precocious talent and has something rather more dangerous in mind- revenge. Against his will, Bartimaeus is packed off to steal the powerful Amulet of Samarkand from Simon Lovelace, a master magician of unrivalled ruthlessness and ambition. Before long, both djinni and apprentice are caught up in a terrifying flood of magical intrigue, murder and rebellion. Set in a modern-day London controlled by magicians, this hilarious, electrifying thriller will enthral readers of all ages.
Author Biography
Jonathan Stroud was born in Bedford in 1970. After studying English Literature at York University, he moved to London, where he worked as an editor in a publishing firm. He is the author of the best-selling BARTIMAEUS sequence, which is published in 35 languages and has sold 6 million copies worldwide. As well as four other novels: HEROES OF THE VALLEY, THE LAST SIEGE, THE LEAP and BURIED FIRE, Jonathan is now writing a chilling new series called LOCKWOOD & CO. He lives in Hertfordshire with his family.
ReviewsDrama, humour and hypnotically engaging storytelling * Independent * The truly original touch is the way Stroud alternates Nathaniel's story with the djinni's own knowing and irascible first-person narrative * Guardian * The narrative slips skilfully from first person to third and back and Bartimaeus's voice is laugh-out-loud sassy, while Nathaniel's story has an engaging poignancy as he tries to prove himself in a world in which he has always been despised * The Sunday Times * Not since Gulliver's Travels has a children's writer managed to combine a thrilling tale of magic and adventure with such deliciously pointed comedy * The Times * Terrific stuff * Mail on Sunday *
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